This semester, I’m attending a course on Irish cinema. Each week, we are expected to write a blog-like journal about the film we watched in class and/or our class discussion about the film. I’ve decided to include those entries to my blog, so it would be more agreeable to read than a Word document. This is my journal entry for The Crying Game (week 10).
It’s a funny coincidence that we watched The Crying Game on week 10 as I had just recently watched a video where the film was mentioned. I had never seen it before, but this movie poster with a lady looking like Uma Thurman in Pulp Fiction (film made AFTER The Crying Game) was one that had a mysterious appeal and, to me, and an aura of mystery just the way I like it.
The film is one that didn’t disappoint me. I have to say, I think it’s one of my favourite ones we watched in class. The subject of transsexuality is one that is not often exploited in cinema,so this film remains a significant one on that level. On this subject, what we could call the situation reversal is something that is significant in The Crying Game. I’ll explain. The relations between the characters definitely are an important element of this film. When Fergus (Stephen Rea) discovers that the beautiful Dil (Jaye Davidson) is, in fact, a man, his reaction (throwing up) is the most shocking element of the situation. But, as the film advances, Fergus manages to see the situation from another angle as he is, despite all, still attracted by Dil. So, it’s interesting to see how this element of the plot is developed in a favourable light (to a certain point).
Aesthetically, the film remains a very special one by borrowing touches of film noir as the smoky poster à la femme fatale proves it. But, as it is not a black and white film, the colour cinematography is used to its full potential, with images that sometimes almost like paintings. This colour becomes particularly majestic, thanks to Dil’s sparkling costumes. There’s also something about this colourful cinematography (and the subject of transsexuality) that also made me think a bit of Almodovar movies.
Despite its mainly dramatic background, there are some touches of humour in The Crying Game that are agreeably appreciated and make the film less heavy. Of course, it is far from being a comedy, but this scene where Dil throws the aquarium of her ex-lover by the window doesn’t fail to make us laugh.
Now, one last thing I wonder: why is this film called The Crying Game? Sure, Dil sings the song of the same name at one point of the film. But wouldn’t there be a deeper meaning? Could it evoke the sadness of the characters? There are probably many possibilities.
Gracenote, ” Movie Photo: The Crying Game.” Cineplex, 2015, https://www.cineplex.com/Movie/the-crying-game/Photos.
“The Crying Game.” Coral Gables Art Cinema, n.d, http://www.gablescinema.com/events/the-crying-game/.
“The Crying Game.” Roger Ebert.com, n.d, http://www.rogerebert.com/reviews/the-crying-game-1992.