Announcing the Joan Fontaine Centenary Blogathon!

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suRecently, my friend Crystal from In the Good Old Days of Classic Hollywood visited my  Facebook group on Joan Fontaine and gave me the excellent idea to host a blogathon in honour of her 100th birthday on October 22, 2017. The idea was definitely an appealing one and I’m glad that Crystal thought about me for hosting it (I think she knows I’m a big fan of Mrs. Fontaine). I had to think a bit about it since the Grace Kelly blogathon is also coming up not long after, but I found it impossible to put that idea aside. I also said to myself that it would be nice if Crystal could co-host it with me and. fortunately, she accepted. This will be our second blogathon collaboration, the first one being the fun Marathon Stars Blogathon that we hosted in March 2016. I hope this one will also be a success.

Joan Fontaine didn’t have as much luck as her sister Olivia de Havilland and died before she could turn 100. Nevertheless, this is not a reason why we shouldn’t celebrate her!

If you want to participate to this blogathon, please consider these few rules:

1- Choose a subject. It can be anything related to Joan Fontaine: her career, a particular movie, her fashion style. You decide. You can submit your subject here, on Crystal’s blog, via e-mail at virginie.pronovost@gmail.com or crystalkalyana@yahoo.com, or Twitter (@ginnie_sp). Please notice that the event will take place from October 20 to October 22, 2017. Please provide the name of your blog and the URL.

2- However, there is one subject we don’t allow: an article about her feud with Olivia de Havilland. We are here to celebrate Joan, not to talk about that unfortunate thing. Of course, if you want to write about it on your blog, it’s your own business, but it won’t be considered for the blogathon.

3- We allow duplicates, but only 2 blogs for the same subject.

4- All articles must be new material. We won’t accept posts that were published before the blogathon was announced.

5- We allow a maximum of 2 entries by bloggers, just to give a chance to everybody.

6- Can I participate to the blogathon if I don’t have a blog? Yes! Simply send your text via e-mail and me or Crystal will publish it on our own blog and credit you.

7- Once your subject has been approved, grab one of these beautiful banners and put it on your blog to help us promoting the blogathon. These were made by both me and Crystal.

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Banner made by me

 

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Banner made by Crystal
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Banner made by me
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Banner made by Crystal
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Banner made by me
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Banner made by Crystal

8- On the blogathon’s first day, me and Crystal will update a new post on our respective blogs where we will include all the entries and where you will be able to submit yours. Don’t forget, the blogathon will start on October 20, 2017, and will end on October 22, 2017!

9- If you have any questions, don’t hesitate to ask! 🙂

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To help you in your choice, here are the topics that have already been claimed twice:

  • Letter From an Unknown Woman
  • Jane Eyre
  • Born to Be Bad
  • Rebecca
  • The Bigamist
  • You Gotta Stay Happy
  • Suspicion

Our participants:

In the Good Old Days of Classic HollywoodLetter From an Unknown Woman (1948)/ Profile on Joan Fontaine’s Life

The Wonderful World of CinemaA Personal Tribute to Joan Fontaine

Taking Up RoomJane Eyre (1943)

A Shroud of ThoughtFrenchman’s Creek (1944)

Life With Books and MoviesJane Eyre (1943)

Anybody Got A Match? – Letter from an Unknown Woman (1948)

Love Letters to Old HollywoodYou Gotta Stay Happy (1948)

Caftan WomanKiss the Blood Off My Hands (1948)

Defiant SuccessJoan’s Oscar Nominated Performances

Christina WehnerRebecca (1940)

Crítica Retrô – The Bigamist (1953)

Moon in Gemini Born To Be Bad (1950)

Wolffian Classics Movie DigestBorn To Be Bad (1950)

Thoughts All SortsThe Women (1939)

Elizabeth Nelson: Guest post at In The Good Old Days Of Classic Hollywood Ivy (1947)

The Dream Book Blog – September Affair (1950)

Cinema CitiesRebecca (1940) and Suspicion (1941)

Pure Entertainment Preservation Society The Emperor Waltz (1948)

Portraits by Jenni Ivanhoe (1952)

Wide Screen WorldThe Bigamist (1953)

Musings of a Classic Film Addict This Above All (1942)

The Stop ButtonYou Gotta Stay Happy (1948)

Cinephilia Suspicion (1941)

Realweegiemidget Reviews One Step Beyond (Joan Fontaine’s episode)

Maddy Loves Her Classic Films – Personal Tribute (Favourite Joan Fontaine’s Performances)

Pop Culture ReverieThe Users (1978)

Old Hollywood FilmsVoyage To The Bottom Of The Sea (1961)

 

 

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Here is Crystal’s post for the announcement

See you on October 20! 🙂

 

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Top of the World: My Hitchcock Day + Some Top Lists

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Well, yesterday was this time of the year where I do my usual Hitchcock movie marathon in honour of him. My favourite movie director would have been 118 years old! Even if he is no longer with us since a long time, many continue to celebrate his timeless work. I started my little marathon Saturday by watching one of his early British films, Murder! starring the great Herbert Marshall in one of his very first roles. I’ve always loved that film. It has all the ingredients of a perfect Hitchcock film, except maybe a cold blond! Well, there is a blond girl, but she isn’t exactly the Hitchcock-type. Then, yesterday morning I watched Family Plot, Hitchcock’s very last film. Without being a masterpiece, this film featuring a score by no one else than John Williams is a great entertainment. The cast composed of Barbara Harris, Bruce Dern, Karen Black and William Devane is one of the elements that make it worthy. They are all perfect in their respective roles. It’s fun to think, when you watch that film, that almost 50 years before he released The Lodger! Hitchcock considered this film to be his first one, although he directed a few before (unfortunately, most of them are now lost or partially lost).

After a little pause to do some exercise, I went back on the couch and watched Saboteur. This early 40s film is one where so much is going on! Have you ever thought of taking a trip to Soda City? Well, that ain’t much of a town, but it certainly leads our heroes, Barry Kane and Pat Martin, to some important elements of investigation.

Yesterday, I also made an exception and instead of listening some David Bowie music (like I usually do) I listened to some Alfred Hitchcock movie scores (sorry David!). It’s always great to listen to Miklós Rózsa‘s score for Spellbound while doing the dishes. It’s my favourite movie score of all time and being very dynamic it helps me do things faster.

I also spent some time outside painting 3 little paintings illustrating Alfred Hitchcock movies: The Trouble With Harry, Suspicion and The Birds. I can’t show them to you now as I have not scanned them, but I certainly hope to do so as soon as possible.

Finally, I ended my day by watching Lifeboat and Foreign Correspondent. I chose these two films as I had only seen them once. Both excellent of course.

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Because I watched all these films, I didn’t have time to write a long tribute to Hitchcock. I already did it as a matter of fact, but I think I’m due for some little top lists. I’m not ready yet for the ultimate Hitchcock top list (ranking all his films), but I’ll see you next year for that. You see, next winter I’ll be attending a seminar on Hitchcock and Welles and I intend to have seen all of the Master of Suspense’s films before the classes start! Be reassured, there isn’t many more left as I’ve already seen 47 of them. 🙂 Unfortunately, there are a few that I’m afraid will be difficult to find (anyone as ever seen Elstree Calling?), but I’ll try my best!

Meanwhile, I’ve decided to make it easier for me and present you a little top 5 for each decade where Hitch released movies, going from the 20s to the 70s.

I don’t like to repeat myself, but don’t forget that these lists are purely subjective and represent my own tastes so I only ask you to respect them. Thank you!

The 20s:

1- The Lodger: Story of the London Fog (1927)

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I put this one at the first place as I remember being very impressed by it the first time I saw it.

2- The Farmer’s Wife (1928)

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Not a typical Hitchcock’s film, but certainly a fun one. A bit long though.

3- Blackmail (1929)

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Hitchcock’s first talking picture and also England’s first talking picture! Just that priceless scene makes it worthy:

4- The Manxman (1929)

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Another Hitchcock film starring the beautiful Anny Ondra. Not an excellent film and I honestly don’t remember much of it, but there was some beautiful cinematography. I once made a joke with a shot from the film. What do you think of it?

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5- Downhill (1927)

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The two left for me were these ones and The Ring. I chose Downhill since it stars the great Ivor Novello. There’s a shot in this film that makes me think of The Graduate. See?

The 30s:

1- The Lady Vanishes (1938)

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Well, that was an easy-peasy first choice as it is one of my very favourite Hitchcock films and the funniest also (without neglecting the great suspense). I love everything about it, especially the colourful characters. Saw it too many, but still not enough times.

2- Young and Innocent (1937)

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This film made me discover Nova Pilbeam who was only 18, but brilliant when she starred in it. It’s the first British Hitchcock’s film I saw and I’ve always enjoyed it immensely. The scene where the spectators discover where the real murderer is hidden is one of my very favourite!

3- The 39 Steps (1935)

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Certainly considered a masterpiece, this film can be cited among the perfect Hitchcock’s films (and this time, the cold blond isn’t missing!).

4- Murder! (1930)

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Once again, Hitchcock combines suspense, tragedy, and humour brilliantly here.

5- Secret Agent (1936)

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I’ve always loved this film for its cast: John Gielgud, Madeleine Carroll, Peter Lorre, Robert Young, Percy Marmont and Lilli Palmer. Do you need more? Peter Lorre is unforgettable!

The 40s:

1- Shadow of a Doubt (1943)

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Another one of my very favourite Hitchcock’s films and I believe that Charlie Oakley (Joseph Cotten) is one of Hitchcock’s best villains.

2- Rebecca (1940)

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I love both the book and the film. Perfect.

3- Spellbound (1945)

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I’ve always found this film highly fascinating. The dream sequence by Dalí was a great addition to this film and Dr. Constance Pertersen (Ingrid Bergman) is my favourite Hitchcock’s female character. And Gregory Peck is so handsome!

4- Lifeboat (1944)

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Hitchcock certainly knew how to develop a great story in such a small space!

5- Saboteur (1942)

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I hesitated between this one, Notorious and Suspicion (all excellent). I choose Saboteur because it’s a movie that never fails to grab my attention. It’s great to think that one of the members of its cast, Norma Lloyd, is still with us today!

The 50s:

1- The Man Who Knew Too Much (1956)

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And this is my very favourite Hitchcock’s film and also my 4th favourite movie of all times behind Some Like It Hot, Bringing Up Baby and It’s a Wonderful Life. James Stewart and Doris Day form an excellent duo and I love how Hitchcock makes us travel from Marrakesh, Morroco to London, England. It’s an adventure full of delightful suspense!

2- Strangers on a Train (1951)

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Ok, that film is just… wow! Next to Charlie Oakley, Bruno Anthony (Robert Walker) is the other very best Hitchcock villain. That carousel scene is unforgettable. Well, the whole movie is. Plus, I love its black and white cinematography and the shots of the railways (seen from a moving train point of view).

3- Rear Window (1954)

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James Stewart, Grace Kelly, Thelma Ritter (at her best), Edith Head’s costumes, etc… And to me, this is the Hitchcock’s film with the best suspense. Never tired of watching it, even after 50 times.

4- To Catch a Thief (1955)

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I remember, this is the 2nd Hitchcock’s film I ever saw and I’ve always loved it. Last Friday, I saw it on big screen for the second time! It simply makes me want to travel the French Riviera!

5- North by Northwest (1959)

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This once was my favourite Hitchcock film. Not anymore, but I still love it very much. Worthy for that plane scene, and more of course!

The 60s and the 70s. I combined those two decades since he only made 2 movies in the 70s (so it would be difficult to do a top 5, you know…):

1- The Birds (1963)

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This is the first Hitchcock film I saw and it fascinated me the first time I watched it (so much that I decided to watch it a second time in the same weekend). It has its faults, but it certainly needs to be seen by all Hitchcock’s fans. Probably his most iconic one along with Psycho. And it’s not because of that film that I’m afraid of pigeons, ok? (There aren’t any pigeons in it anyway).

2- Frenzy (1972)

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Quite an overlooked Hitchcock’s film. Immensely thrilling.

3- Family Plot (1976)

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Hitchcock’s last film and a fun one, but I’ve already said a few words about it earlier!

4- Psycho (1960)

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It’s not my favourite Hitchcock film, but it certainly is a worthy one. That scene where Lila Crane (Vera Miles) “discovers” Mrs. Bates is priceless (along with the famous shower scene, of course).

5- Marnie (1964)

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I always tend to forget that Sean Connery starred in a Hitchcock’s film. Well, there was one and it is the underrated Marnie, the second Hitchcock film starring Tippi Hedren (the first one being The Birds). I think the main flaw of this film is being a bit long for what it is (I mean, it’s not Gone With the Wind after all), but overall it’s a good one.

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Well, if you haven’t seen many Hitchcock’s films, I hope these ones can be used as suggestions! If you did anything special on this Hitch day, please don’t hesitate to share it with me in the comments!

Happy heavenly birthday again Sir Alfred Hitchcock! And also, happy heavenly birthday to his wife Alma Reville! She was a screenwriter, editor, and co-director who had an important influence on his career. 🙂

By the way, if you want to read more of my Hitchcock’s related articles, I invite you to click on the links in orange!

BIO ALFRED HITCHCOCK

 

 

Top of the World: Olivia de Havilland Turns 101!

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Today, the strong, lovely, talented, legendary Olivia de Havilland is turning 101 years old and we are very lucky to still have her with us! Aging gracefully, she certainly is one of the most beautiful women of that age! For the occasion, Crystal from In the Good Old Days of Classic Hollywood and Laura from Phyllis Loves Classic Movies are hosting The Second Olivia de Havilland Blogathon + Eroll Flynn!

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For the occasion, I’ve decided to present you a top 10 of my most favourite Olivia de Havilland’s films! Remember, these are my personal favourites, so it’s purely subjective. I ask you to respect my choices.

Just to give you an idea, I’ve seen a total of 12 of her films so far.

Here we go!

10. A Midsummer Night’s Dream (Max Reinhardt and William Dieterle, 1935)

I’m not THAT much a fan of this film, but I’ve decided to put it at #10 as 1- It has to be praised for the excellent performances (including Olivia’s one), 2- A Midsummer Night’s Dream remains, after all, my favourite Shakespeare play, 3- I love the magic and poetry embodied by the dreaming cinematography and 4- the two other ones I saw, The Private Lives of Elizabeth and Essex and Santa Fe Trail left me a bit indifferent.

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9. Hush… Hush… Sweet Charlotte (Robert Aldrich, 1964)

Quite a creepy film, but I’ve always found Olivia de Havilland’s performance quite interesting as it is very different from the innocent Melanie Hamilton for example! And who would say no to a film reuniting her, Bette Davis, Joseph Cotten and Agnes Moorehead?

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8. The Proud Rebel (Michael Curtiz, 1958)

This western was the last collaboration between Curtiz and De Havilland. Somehow it’s not too well-known, but I think it deserves more recognition. It’s a beautiful film and our Livie is absolutely touching in it.

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7. My Cousin Rachel (Henry Koster, 1952)

One thing: I STILL have to read the book by Daphné du Maurier. Ok, this film contains his flaws, but it remains an appreciable one to see. Olivia is quite fascinating playing this ambiguous Rachel! Who is she really?! This film is a good way to size her versatility as an actress.

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6. The Strawberry Blonde (Raoul Walsh, 1941)

I actually just watched this movie today in honour of the celebrated one! I quite enjoyed it! It was a lot of fun. Olivia and James Cagney (such a great actor!) looked just adorable together. The presence of Rita Hayworth and Jack Carson was, of course, highly appreciated as well. A good comedy movie to watch when you feel like not concentrating too much!

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5. The Dark Mirror (Robert Siodmak, 1946)

I’ve always loved psychological movies and this one makes no exception to the rule. Playing two roles in one film never looks like an easy task, but, here, Olivia did it wonderfully. A fascinating film.

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4. The Adventures of Robin Hood (Michael Curtiz and William Keighley, 1938)

Of course, we all like the collaborations between Olivia de Havilland and Errol Flynn. This one has to be my favourite one without hesitation. Olivia is so lovely as Lady Marian and the film itself is a wonderful entertainment!

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3. The Snake Pit (Anatole Litvak, 1948)

I’ve said that I’ve always loved psychological movies. Well, this one is another great example. I love to see the evolution of the characters in these. Here, Olivia de Havilland certainly gives one of her best and more challenging performances. She received an Oscar nomination for her performance.

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2. The Heiress (William Wyler, 1949)

And happy birthday to William Wyler, who was born on July 1st too! Well, if Olivia won her second Oscar with this film, it’s not without reasons. An extraordinary performance, full of subtleties and perfectly calculated. She gives an extraordinary essence to her character and it’s hard to surpass her. I’ve loved this film since the first time I saw it. Of course, I don’t think William Wyler ever made a bad film…

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  1. Gone With the Wind (Victor Flemming, 1939)

Ok, I know, this is not a very creative #1, but what can I say? I love the film ok! There would be so much to say about it, but for what concerns Olivia, she illuminates the screen and is in perfect harmony with the rest of the cast. I couldn’t think of anyone better to portray Melanie Hamilton. This is the first film of hers I saw. What a great introduction to her filmography! 🙂

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Well, that’s it! Of course, don’t hesitate to share your choices with me!

I want to thank Crystal and Laura for hosting this amazing blogathon. Please take a look at the other entries here:

The Second Olivia de Havilland Blogathon + Errol Flynn Day 1

Happy 101 birthday dear Olivia!

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Top of the World: Celebrating Bernard Herrmann with 10 Wonderful Scores!

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Yesterday, the famous movie music composer Bernard Herrmann would have been 106 years old. He did not only share his brilliance in his collaborations with Alfred Hitchcock, but in all the movie scores he composed. It’s for that reason that he is a favourite among many cinephiles. He certainly was among those movie composers who perfectly knew how to musically illustrate the atmosphere of a film.

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I didn’t have time to “celebrate” him yesterday as I was working, but I thought I should honour him today with one of my traditional top lists! So, let me introduce you my 10 most favourite Bernard Herrmann scores! Of course, that was a most difficult exercise as he was a master of music. I had to change the order of my top many times.

Before continuing, remember that these are my personal favourite ones, so it’s purely subjective. You obviously can’t contest my personal tastes. 😉

Ok, here we go!

10. Psycho (Alfred Hitchcock, 1960)

Ah! How can we forget this haunting music regrouping strings only?! The shower scene is not the most “melodious” Bernard Hermann moment, but probably the one people will remember the most.

9. Citizen Kane (Orson Welles, 1941)

As much as I’m not THAT much a fan of this film (despite the fact that it is considered the best movie of all times and blablabla), there are TWO things that I love enormously about it, one of them being the music (the other one being Joseph Cotten). I love how it is at the time very sinister or very joyful. Typical Herrmann!

 

8.The Man Who Knew Too Much (Alfred Hitchcock, 1956)

My favourite Hitchcock’s film! And certainly one of my favourite Bernard Herrmann scores! It’s so orchestral, I love it! You unfortunately won’t hear it in this clip, but, during the film, there are some notes that remind us a lot of Vertigo‘s score that Herrmann will compose two years later. Of course, we all remember Herrmann’s cameo in the film! 🙂

 

7. Marnie (Alfred Hitchcock, 1964)

Without being Hitchcock’s best film, one can’t deny that this is among Herrmann’s best scores! Actually, it might be the best thing about this film. I absolutely love it.

 

6. Vertigo (Alfred Hitchcock, 1958)

When those notes start, you know you are in for something special! Somehow, I can always see Carlotta Valdes’s portrait when I hear this music or the famous dream sequence. A team work between Hitchcock and Hermann always creates prodigies! Another film that is considered “the best of all times” and, once again, Bernard Herrmann had the chance to be part of the team!

 

5. North by Northwest (Alfred Hitchcock, 1959)

As far as I can remember, North by Northwest has always been one of my very favourite music scores. It succeeds to so perfectly capture the attention of the viewers. Once again, one can perfectly visualize the film in his/her head while listening to this GREAT score!

 

4. Jane Eyre (Robert Stevenson, 1944)

I must be honest, I didn’t become familiar with that score until… well today. The reason is that I’ve seen the movie only once and quite a long time ago, so let’s say the music was not necessarily fresh in my memory! But when I was re-listening to some of the Herrmann scores, I discovered how great it was! I just can’t believe I haven’t took the time to listen to it more carefully before. It’s just ace! Somehow, I can visualize the movie in my head when I listen to it. It truly makes me want to watch it again! 4m14 – 4m30: this moment is absolutely terrifying, but great!

 

3. The Day the Earth Stood Still (Robert Wise, 1951)

That is THE sound of science-fiction! My favourite sci-fi film and very probably my favourite music score for a sci-fi film. In this score, we can hear both acoustic and electronic instruments, including two Theremins, which create those typical sounds from outer space.

 

2. Obsession (Brian de Palma, 1976)

It goes without saying, I am obsessed with this film score (ouuuu!). It’s just spellbinding. I especially love the first minutes of it. I can always see the scene where Cliff Robertson throws the suitcase with the money on the street or that unforgettable final scene… For a movie that is very similar to Vertigo, Bernard Herrmann was of course the ultimate choice for the music!

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  1. Taxi Driver (Martin Scorsese, 1976)

Ah, the last and ultimate Bernard Herrman’s score! From Citizen Kane (his first movie music score) to Taxi Driver (his last), he proved to be an absolute musical master. Taxi Driver‘s music is so mesmerizing and fits perfectly the dark New-Yorkian atmosphere of the film. It sort of makes me want to take saxophone lessons!

Well, that’s it! I hope you enjoyed! Of course, don’t hesitate to share your personal favourites in the comment section!

Cheers to Herrmann!

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Celebrating Judy Garland with a First Viewing of “A Child Is Waiting”

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Oh that it seems far away, that time when Judy Garland was gambolling on the yellow bricks road and singing “We’re Off to See the Wizard” when you look at her years later in John Cassavetes’s A Child Is Waiting (1963)! If this film was among her lasts before her premature death in 1969, it was one of Cassavetes’s first. But the two managed to mix their respective talents for a worthy result. To that was added a glimpse of always-great-on-screen Burst Lancaster and a beautiful supporting cast composed by Elizabeth Wilson, Gena Rowlands (John Cassavetes’s wife from 1954 to his death in 1989), Bruce Ritchey, Steven Hill, Lawrence Tierney, Barbara Pepper, John Marley and Paul Stewart. The film was produced by Stanley Kramer. Even if Cassavetes lost power as a director under the production of Kramer and wasn’t satisfied with the final product, A Child Is Waiting remains, on many levels, a masterpiece, but, a forgotten one. Indeed, when one thinks of its two main stars, Garland and Lancaster, this is rarely the first film that we think about.

I must admit, as odd as it seems, I’ve only seen two Judy Garland’s films: The Wizard of Oz (obviously) and this one (I also saw some parts of Meet Me in St. Louis). As a matter of fact, when Crystal from In the Good Old Days of Classic Hollywood announced that she’ll be hosting the Judy Garland Blogathon in honour of this musical entertainer’s birthday, I thought that it would be a good occasion for me to finally watch this film who was on my to-watch list for quite some time. This was due to the presence of Burt Lancaster, and actor I adore, but also to this review written by Crystal herself and the simply good occasion to discover another Garland’s film.

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Yesterday, the lovely Judy would have been 95 and a blogathon is, of course, the best way for us, bloggers, to honour her memory.

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From the first minute of A Child Is Waiting, I knew this would be a film I would like. I hope I’m not too weird by saying that, but I’ve always liked psychological movies or movies that take place in a psychiatric institution, a mental hospital, etc. I simply find these fascinating, especially for what concerns the way the patients evolve in this environment.

A Child Is Waiting takes place at the Crawthorne State Mental Hospital. Judy Garland plays Jean Hansen, a newcomer among the staff of the hospital. Due to her musical background, she is hired as a music therapist. The psychologist, Dr. Matthew Clark, is played by Burt Lancaster. Jean becomes fond of a little boy named Reuben Widdicome who suffers from a mental retardation. The child, who hasn’t seen his mother since two years, easily finds a friend in Jean who has a real maternal instinct. She and Dr. Clark are put in opposition in what concerns their ideal for the child’s development. If she believes he will improve his condition by seeing his mother, the doctor believes he should not and that he must learn to live with different people.

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The film is a special one as its extras include real mentally-challenged children from Pacific State Hospital in Pomona, California, just like Milos Forman would use real mentally hill patients in his highly acclaimed One Flew Over the Cuckoo’s Nest. This creates a sense of authenticity and realism. Concerning these children, I particularly appreciated the inclusion of Burt Lancaster in this film as I don’t remember having seen him interact often with kids on screen. He is presented as a man with a calm temperament. He can get angry,  but he’ll never scream at someone. As always, Mr. Lancaster loves to show his teeth when he talks, but that’s how we love him! His acting is well calculated, without  unnecessary extravagances. The child, who is for him (the doctor) a hopeless case, is played by Bruce Ritchey, who certainly breaks our hearts with his sad eyes. If A Child Is Waiting is credited as his only major film role, and the child actor is quite forgotten today, it goes without saying that his performance is one that we don’t easily forget. Playing people mentally ill never seems to be an easy task for the simple reason that it would be “dangerous” to be too cliché. But Ritchey keeps it simple and his acting full of sensibility almost makes us forget the film’s two big stars, Burt Lancaster and Judy Garland.

Talking about Judy, if this one was particularly known for her musicals, this film allows us to discover her talent as a dramatic actress. We become easily fond of her as she gives to her character a beautiful aura of kindness and chooses a type of acting that fits perfectly the mood of the film. Even if A Child Is Waiting isn’t a musical, we even have the occasion to hear Mrs. Garland’s beautiful voice in a brief moment of the film. Sadly, if she delivers a thoughtful performance, Mrs. Garland had important personal problems at the time and this can be felt in her acting. There is the impression of a certain discomfort, but, luckily, this one is easily forgotten. Anyway, let’s not talk too much about Judy Garland’s life problems on her celebration! Judy Garland and Burt Lancaster were reunited before in Stanley Kramer’s Judgement at Nuremberg (1961).

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On the set of the film with director John Cassavetes

Interestingly, A Child Is Waiting marks the first cinematographic collaboration between John Cassavetes and his beautiful wife actress Gena Rowlands. She plays Reuben’s sad mother and her supportive presence is nothing but a strong addition to the film.

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As always, I’m always talking too much about the actors, so I will stop here. Nothing bad to say about the rest of the cast, they were all good.

Another thing that particularly struck me about this film is the music. First, in the opening titles embellished with naive children’s drawings, we hear an a capella chorus of children (which can make us think of the famous school scene in Hitchcock’s The Birds) which indicates us the importance of these children in the film. The rest of the score was composed by Ernest Gold (who was not at his first, nor last collaboration with Stanley Kramer) and there’s something about it that represents quite perfectly the mood of the film, but also Reuben’s psychological states. One one side, there’s something somehow disquieting about it, but on the other one, it’s always a calm melody.

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Composer Ernest Gold

If John Cassavetes was fired from the production when editing time came (…), there’s nothing really bad to say about this editing, but we feel it’s not a John Cassavetes’ one. I’m not a Cassavetes expert, but from what I know of his methods, we feel that his editing would have been more creative. Here, no particular liberties are taken nor creativity shown. Of course, this doesn’t necessarily affect the quality of the film, but maybe Cassavetes’ editing would have accentuated the psychological side of the film and give it a different meaning. Just an idea…

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A fun moment between Burt, Judy and John on the set of the film!

What disappointed me about the film is the development of the characters. We actually don’t really feel there is one. If that was the intention, then ok, but I think more efforts could have been put on this level. This doesn’t only concern Reuben, who, unfortunately, never really seem to change as a patient (this doesn’t necessarily have to be a positive change. It can be a bad one too), but also for the doctor and Jean. We always feel Jean is about to tell us something crucial about her past life, but no… This constant impression could have been avoided as, here, it is only annoying. Also, at the end, we don’t really know what will happen with each of the characters. I’m all for open endings, but here it doesn’t seem that necessary.

But, apart from that, I highly enjoyed the film!

On its released, A Child Is Waiting sadly was a commercial failure. On another side, it received some good reviews.

It is difficult to know why the film is forgotten nowadays at it reunites a masterful team. So, if you haven’t seen it, I highly recommend it. It is the perfect film for those who like thoughtful, but not too mentally extravagant films (even if this one takes place in a mental hospital, it remains quite sober on that level). Fans of Garland, I’m sure, will appreciate it as it shows a different facet of her acting.

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Before leaving you, I want to thank Crystal for hosting this lovely event and, of course, wish a happy (belated) heavenly birthday to the celebrated star. Happy birthday Judy, wherever you are!

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Don’t forget to take a look at the other entries, here!

My! This is the first article I was writing since mid-April (blogathon announcements don’t count). I hope I haven’t lost my touch!

See you!