This semester, I’m attending a course on Irish cinema. Each week, we are expected to write a blog-like journal about the film we watched in class and/or our class discussion about the film. I’ve decided to include those entries to my blog, so it would be more agreeable to read than a Word document. This is my journal entry for Disco Pigs (week 12).
The beginning of Disco Pigs certainly tenderized many people in the class when we watched this film. Indeed, we could perfectly hear the “aww” (like, “aww it’s so cute”) at the view of the two babies holding each other’s hand. That’s how real friendship should begin, no? When you are born, but not clever enough to be too judgmental. Runt and Pig are, as a matter of fact, almost like brothers and sisters. Well, until Pig becomes clearly interested in Runt in another way than just a friend.
The film first makes us jealous. I mean, does perfect friendship like that can really exist? Sure they do bad things, but their work of solidarity is one to be admired. Disco Pigs is an anti-heroes film just like Badlands or Bonnie & Clyde were. And like many anti-hero films, the spectator will have the tendency to identify more with these particular “villains” more than with the other characters (whom, most of the time, are not portrayed as heroes, so have less chance to gain our sympathy).
But, at some point, it becomes too much. That concept of doing everything together at the same time surely is a symbolism of “we cannot leave without each other”, but this, to a certain point, almost becomes a dangerous drug. Runt’s parents, who think her relationship with Pig isn’t healthy, send her to a boarding school (where we meet my favourite character of the lot, the daring weird blond girl). And it’s the beginning of a real drama. Sure, they see each other again, but in circumstances that don’t end quite well. Pig takes Runt to a bar and, furious with jealousy, [spoiler] kills a guy who was dancing with her. The two fellows go on a beach where [spoiler] Pig asks Runt to kill him, to avoid another form of punishment due to what he has done.
Disco Pigs is an interesting film on the level of insane friendship/relation. It gives you a lesson that, even if you love a person very much, you must learn to be independent (something I understood a long time ago) otherwise you can eventually suffer or be unhappy.
Where Disco Pigs failed to grab my attention was with the development of the story with many flashbacks weirdly placed. I also had a lot of difficulties with the language. The accents/pronunciations are not obvious and, sometimes, I just couldn’t understand anything that was said. But, luckily, it’s a film where many things are expressed simply by the visual dimension.
At some point, Cillian Murphy seems to actually create a form of language. Oh well, even if we don’t understand everything he has to say, at least we can admire his beautiful blue eyes!
“Cillian Murphy “So New” Disco Pigs soundtrack.” Youtube, Feb. 20, 2013, https://www.youtube.com/watch?v=Cu_CJKsOZeU.
“Cillian Murphy images Disco Pigs wallpaper and background photos.” Fan pop, n.d, http://www.fanpop.com/clubs/cillian-murphy/images/19924627/title/disco-pigs-photo.
Disco Pigs (AV Channel) (2001), n.d, http://www.michaeldvd.com.au/Reviews/Reviews.asp?ID=3958.