Top of the World: 35 Movies of the 30s

I wanted to do this top since a long time as I love movies from the 30s, especially the comedies. I think they were unique and the pre-code era allowed movies with a great touch of realism and modernism.

As always, I invite you to respect my choices. This is a list of my most favourite movies, so it’s purely subjective. If there is a movie you like, but that isn’t on that list, it’s not necessarily because I don’t like it. It might be because I haven’t seen it, or simply because this is a top 35 and not a top 50. Just to give you an idea I have seen about 95 movies from the 30s. Thanks.

I invite you to clic on the various links that appears in orange if you are interested to read more reviews.

Well, here we go! 🙂

35- Bank Holiday (Carol Reed, 1938)

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34- En kvinnas ansikte (Gustaf Molander, 1938)

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33- The Awful Truth (Leo McCarey, 1937)

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32- The Adventures of Robin Hood (Michael Curtiz & William Keighley, 1938)

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31- Dinner at Eight (George Cukor, 1933)

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30- The Women (George Cukor, 1939)

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29- Le Quai des Brumes (Marcel Carné, 1938)

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28- Holiday (George Cukor, 1938)

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27- Murder! (Alfred Hitchcock, 1930)

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26- A Girl Must Live (Carol Reed, 1939)

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25- My Man Godfrey (Gregory LaCava, 1936)

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24- Wuthering Heights (William Wyler, 1939)

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23- The 39 Steps (Alfred Hitchcock, 1935)

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22- Free & Easy (Edward Sedgwick, 1930)

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21- Baby Face (Alfred E. Green, 1933)

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20- Shanghai Express (Josef von Sternberg, 1932)

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19- Red Salute ( Sidney Lanfield, 1935)

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18- Nothing Sacred (William A. Wellman, 1937)

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17- Easy Living (Mitchell Leisen, 1937)

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16- Dames (Ray Enright, 1934)

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15- Little Women (George Cukor, 1933)

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14- Mr. Deeds Goes to Town (Frank Capra, 1936)

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13- Young and Innocent (Alfred Hitchcock, 1937)

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12- Topper (Norman Z. McLeod, 1937)

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11- Libeled Lady (Jack Conway, 1936)

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10- Golden Boy ( Rouben Mamoulian, 1939)

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9- All Quiet on the Western Front (Lewis Milestone, 1930)

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8- 42nd Street (Llyod Bacon, 1933)

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7- Gold Diggers of 1933 (Mervyn LeRoy, 1933)

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6- Mr. Smith Goes to Washington (Frank Capra, 1939)

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5- Gone With the Wind (Victor Flemming, 1939)

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4- La Grand Illusion (Jean Renoir, 1937)

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3- Modern Times (Charlie Chaplin, 1936)

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2- The Lady Vanishes (Alfred Hitchcock, 1938)

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and…

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1- Bringing Up Baby (Howard Hawks, 1938)

This also happens to be my 2nd most favourite movie of all times after Some Like It Hot 🙂

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That’s it! Now please don’t hesitate to tell me what are YOUR favourite movies of the 30s in the comment section. I’ll be very curious to know! 🙂

See you!

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The Barrymore Brothers Are Having a Dinner At Eight

Thanks to my friend Crystal from In the Good Old Days of Classic Hollywood, The Barrymore Trilogy Blogathon is back for a third consecutive year! This is the occasion for us to celebrate this notorious family of actors who developed its talent on more than one generation.

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My choice for this year’s edition is Dinner At Eight. As this film stars both Lionel and John Barrymore, we can proudly call it a “Barrymore movie”! But don’t be mistaken, however, John and Lionel don’t play brothers in this flick! The choice was also to my advantage, since, last year, I reviewed a movie with Ethel Barrymore (Portrait of Jennie) and the year before, a film with Drew Barrymore (Ever After). So, I was due to do something about John and/or Lionel. So, why not both?! Plus, Lionel Barrymore is my favourite actor in this family and, neither to say, the one I’m the most familiar with.

When I started watching it for the blogathon (only for the second time in my life), I had completely forgotten it was directed by the one and only George Cukor! Well, we do recognize his distinguished signature with a female cast brilliantly composed. We are introduced to the actors in the opening titles a bit in the same way as we are with 42nd Street or Gold Diggers of 1933. I guess that was fashionable in 1933!

Apart from the two Barrymore, Dinner at Eight also stars Jean Harlow, Wallace Beery, Marie Dressler, Billie Burke,  Madge Evans, Lee Tracy, Edmund Lowe, Karen Morley, Phillips Holmes, Louise Closser Hale, Grant Mitchell, Hilda Vaughn and May Robson. Quite a gang.

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All these actors are all worth mentioning as they all have their respective importance in the film. You see, Dinner at Eight is one of these pictures having for major quality the composition of the characters.

What we see in this film is everything that happens before the famous dinner. Millicent Jordan (Billie Burke) is organizing a dinner for Lord and Lady Ferncliffe that she had met in England with her husband Oliver (Lionel Barrymore). Through the film, we discover the various guesses and their respective personal problems:

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Oliver himself isn’t feeling too well and we discover later that it might be more serious than he thinks.

Carlotta Vance (Marie Dressler), a one-time great actress, is now broke and dealing with her downhill. Luckily, a great sense of humor keeps her alive.

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Mr. and Mrs. Jordan’s daughter, Paula (Madge Evans), is ready to put an end to her engagement with Ernest (Phillips Holmes) as she is now in love with the much older actor Larry Renault (John Barrymore).

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On his side, Larry Renault, just like Carlotta Vance, has to struggle with his lack of money and the fact that he is now a washed-up actor. More tragic than Carlotta tho, he finds refuge in alcohol.

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Businessman Dan Packard (Wallace Beery) and his wife Kitty (Jean Harlow) are constantly fighting. Kitty has a maid, Tina (Hilda Vaughn) who is the most patient person ever (and who looks like one of the extra-dancers in Hair by the way).

And Kitty is having an affair with Dr. Wayne Talbot (Edmund Lowe) who is quite lucky to have a wife (Karen Morley), who loves him (despite everything).

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Hattie (Louise Closser Hale) and Ed Loomis (Grant Mitchell) are last minute guesses so we don’t dig much into their life. However, Ed would prefer to be at the movies seeing the last Garbo picture.

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Finally, Millie has to deal with the obvious problems that come with the organization of such a dinner, and her cook, Mrs. Wendel (May Robson), is having trouble with the lion-shape aspic.

I think, with this kind of film, a presentation of the characters was in order. Apart from the fact that the two Barrymore don’t play brothers in this film, they are actually never seen in a scene together. I must admit, I was a bit disappointed by this aspect (because it would have been epic). They play, however, two very different types of characters.

On his side, Lionel is the wise and patient one who tries to see a positive point to life even in a critical situation. On his side, John is the tragical one, whose life became theatrical just like his profession. Both are great in their respective roles. Dinner at Eight confirms us Lionel Barrymore versatility as an actor as his character is quite different (and much more sympathetical) than Henry Potter in It’s a Wonderful Life for example. If I’m not mistaken, this is the earlier film of his I’ve seen. Actually, it would be Free & Easy, but he only has a cameo scene in this one so it doesn’t really count. Lionel Barrymore’s scenes with Marie Dressler are among the best things in this film. We feel an instant chemistry between those two veterans of the silver screen. Carlotta Vance and Oliver Jordan redefine the meaning of deep friendship. We also witness a very touching scene between him and Billie Burke toward the end of the film. Moral of the story: love is sometimes stronger than anything else.

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I’m less familiar with John Barrymore, having seen only two of his films, but I’ve noticed how he has such a strong on-screen presence. In a scene, he is the center of attention and he doesn’t need to do much to be so. Simply by standing there, he emits an incredible charisma. And that profile! I think we all agree, it’s one of the most famous profiles of cinema history. Of course, we never lose an occasion of seeing it. Just before his first scene, Billie Burke is talking about him with  Louise Closser Hale and this one praises his  “most heavenly profile” and then, the next shot is one of him standing in a hotel room, his iconic profile to the camera. What is fascinating about John Barrymore in this film is to see the evolution of his character and how he chooses to act according to it. His performance is more and more intense as the film evolves. Remember this scene when he looks at himself in the mirror after his agent told us that his career is over? Mirror scenes are often a symbol of existential questions such as “what will become of me?” in movies.

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There’s no need to say that 1933 was a strong year in cinema with movies such as this one, but also Gold Diggers of 1933, 42nd Street, Footlight Parade, Little Women or The Private Life of Henry VIII. Movies of the 30s had a sort of class that could never be topped and Dinner at Eight is one of the best examples. I love all the fancy high society set of the whole thing with dreamy designs and costumes to die for. I bet you won’t be surprised if I tell you that these were designed by Adrian! I think the most impressive gowns are Jean Harlow’s ones. By the way, her character in this film kind of makes me think of me for the reason that staying in bed all day while eating chocolate is totally my style (I’m lazy). But back to Adrian. What I love about his costumes, is how light they seem to be. He also manages to keep it simple, but yet, immensely divine. And boy! I have a friend whose favourite colour is white. That may seem weird, but when I see Adrian’s costumes that glorify this colour, I completely understand why!

The script of this film is interesting. It was based on the play by George S. Kaufman and Edna Ferber. However, screenwriters Frances Marion and Herman J. Mankiewicz, and director George Cuckor managed to give it a cinematographic dimension by making it dynamic enough for a movie. I like how the scenes alternate telling us what’s becoming of each character. As a matter of fact, except at the end, we rarely see a scene with more than three characters or so. The film also contains some memorable lines such as:

1 -Kitty: [Final lines] I was reading a book the other day.

Carlotta: [Nearly trips] Reading a book?

2- Miss Copeland: You were wonderful!

Carlotta Vance: Yes, that was the last thing I did.

Miss Copeland: I remember it as plain as if it were yesterday.

Carlotta Vance: Hmm.

Miss Copeland: Though I was only a little girl at the time.

Carlotta Vance: How extraordinary!

Miss Copeland: Oh, it’s wonderful, seeing you like this.

Carlotta Vance: Yes, it ’tis. You know, we must have a long talk about the Civil War sometime. Just you and I. (Poor Mrs. Vance!)

3-Dan Packard: Remember what I told you last week?

Kitty Packard: I don’t remember what you told me a minute ago.

4- Larry Renault: Listen to me old-timer. I’m drunk, and I know I’m drunk but I know what I’m talking about.

5- Hattie Loomis: [responding to Millicent Jordans’ upset about a dinner guest cancelling] I never could understand why it has to be just even, male and female. They’re invited for dinner, not for mating.

6- Carlotta Vance: Remember? They named everything after me: cigars, racehorses, perfumes, battleships!

7- Dan Packard: That’s no elevator. That’s a birdcage!

8- Hattie Loomis: Ed hates anything that keeps him from going to the movies every night. I guess I’m what’s called a Garbo widow.

9-Dr. Wayne Talbot: Oh, she’s not really sick, you know, woman with a lot of time on her hands, I prescribed a sedative, but she doesn’t really need anything.

Mrs. Lucy Talbot: How about an apple a day?

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These are just a few examples. Of course, there’s all the fuss about the famous aspic too. Delightful.

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So, Dinner at Eight is one hell of an intriguing film, and if you like the Barrymore, I highly recommend you to see it (the rest of the cast is pretty swell too!).

Last August 15, we celebrated Ethel Barrymore’s birthday, so I’m wishing her a very happy heavenly birthday one more time! 🙂 The Barrymore are legendary. Respect.

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A big thanks to Crystal for hosting this blogathon again!

Don’t forget to read the other entries of course. 🙂

The Third Annual Barrymore Blogathon.

See you!

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Top of the World: My Hitchcock Day + Some Top Lists

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Well, yesterday was this time of the year where I do my usual Hitchcock movie marathon in honour of him. My favourite movie director would have been 118 years old! Even if he is no longer with us since a long time, many continue to celebrate his timeless work. I started my little marathon Saturday by watching one of his early British films, Murder! starring the great Herbert Marshall in one of his very first roles. I’ve always loved that film. It has all the ingredients of a perfect Hitchcock film, except maybe a cold blond! Well, there is a blond girl, but she isn’t exactly the Hitchcock-type. Then, yesterday morning I watched Family Plot, Hitchcock’s very last film. Without being a masterpiece, this film featuring a score by no one else than John Williams is a great entertainment. The cast composed of Barbara Harris, Bruce Dern, Karen Black and William Devane is one of the elements that make it worthy. They are all perfect in their respective roles. It’s fun to think, when you watch that film, that almost 50 years before he released The Lodger! Hitchcock considered this film to be his first one, although he directed a few before (unfortunately, most of them are now lost or partially lost).

After a little pause to do some exercise, I went back on the couch and watched Saboteur. This early 40s film is one where so much is going on! Have you ever thought of taking a trip to Soda City? Well, that ain’t much of a town, but it certainly leads our heroes, Barry Kane and Pat Martin, to some important elements of investigation.

Yesterday, I also made an exception and instead of listening some David Bowie music (like I usually do) I listened to some Alfred Hitchcock movie scores (sorry David!). It’s always great to listen to Miklós Rózsa‘s score for Spellbound while doing the dishes. It’s my favourite movie score of all time and being very dynamic it helps me do things faster.

I also spent some time outside painting 3 little paintings illustrating Alfred Hitchcock movies: The Trouble With Harry, Suspicion and The Birds. I can’t show them to you now as I have not scanned them, but I certainly hope to do so as soon as possible.

Finally, I ended my day by watching Lifeboat and Foreign Correspondent. I chose these two films as I had only seen them once. Both excellent of course.

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Because I watched all these films, I didn’t have time to write a long tribute to Hitchcock. I already did it as a matter of fact, but I think I’m due for some little top lists. I’m not ready yet for the ultimate Hitchcock top list (ranking all his films), but I’ll see you next year for that. You see, next winter I’ll be attending a seminar on Hitchcock and Welles and I intend to have seen all of the Master of Suspense’s films before the classes start! Be reassured, there isn’t many more left as I’ve already seen 47 of them. 🙂 Unfortunately, there are a few that I’m afraid will be difficult to find (anyone as ever seen Elstree Calling?), but I’ll try my best!

Meanwhile, I’ve decided to make it easier for me and present you a little top 5 for each decade where Hitch released movies, going from the 20s to the 70s.

I don’t like to repeat myself, but don’t forget that these lists are purely subjective and represent my own tastes so I only ask you to respect them. Thank you!

The 20s:

1- The Lodger: Story of the London Fog (1927)

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I put this one at the first place as I remember being very impressed by it the first time I saw it.

2- The Farmer’s Wife (1928)

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Not a typical Hitchcock’s film, but certainly a fun one. A bit long though.

3- Blackmail (1929)

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Hitchcock’s first talking picture and also England’s first talking picture! Just that priceless scene makes it worthy:

4- The Manxman (1929)

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Another Hitchcock film starring the beautiful Anny Ondra. Not an excellent film and I honestly don’t remember much of it, but there was some beautiful cinematography. I once made a joke with a shot from the film. What do you think of it?

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5- Downhill (1927)

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The two left for me were these ones and The Ring. I chose Downhill since it stars the great Ivor Novello. There’s a shot in this film that makes me think of The Graduate. See?

The 30s:

1- The Lady Vanishes (1938)

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Well, that was an easy-peasy first choice as it is one of my very favourite Hitchcock films and the funniest also (without neglecting the great suspense). I love everything about it, especially the colourful characters. Saw it too many, but still not enough times.

2- Young and Innocent (1937)

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This film made me discover Nova Pilbeam who was only 18, but brilliant when she starred in it. It’s the first British Hitchcock’s film I saw and I’ve always enjoyed it immensely. The scene where the spectators discover where the real murderer is hidden is one of my very favourite!

3- The 39 Steps (1935)

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Certainly considered a masterpiece, this film can be cited among the perfect Hitchcock’s films (and this time, the cold blond isn’t missing!).

4- Murder! (1930)

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Once again, Hitchcock combines suspense, tragedy, and humour brilliantly here.

5- Secret Agent (1936)

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I’ve always loved this film for its cast: John Gielgud, Madeleine Carroll, Peter Lorre, Robert Young, Percy Marmont and Lilli Palmer. Do you need more? Peter Lorre is unforgettable!

The 40s:

1- Shadow of a Doubt (1943)

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Another one of my very favourite Hitchcock’s films and I believe that Charlie Oakley (Joseph Cotten) is one of Hitchcock’s best villains.

2- Rebecca (1940)

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I love both the book and the film. Perfect.

3- Spellbound (1945)

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I’ve always found this film highly fascinating. The dream sequence by Dalí was a great addition to this film and Dr. Constance Pertersen (Ingrid Bergman) is my favourite Hitchcock’s female character. And Gregory Peck is so handsome!

4- Lifeboat (1944)

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Hitchcock certainly knew how to develop a great story in such a small space!

5- Saboteur (1942)

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I hesitated between this one, Notorious and Suspicion (all excellent). I choose Saboteur because it’s a movie that never fails to grab my attention. It’s great to think that one of the members of its cast, Norma Lloyd, is still with us today!

The 50s:

1- The Man Who Knew Too Much (1956)

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And this is my very favourite Hitchcock’s film and also my 4th favourite movie of all times behind Some Like It Hot, Bringing Up Baby and It’s a Wonderful Life. James Stewart and Doris Day form an excellent duo and I love how Hitchcock makes us travel from Marrakesh, Morroco to London, England. It’s an adventure full of delightful suspense!

2- Strangers on a Train (1951)

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Ok, that film is just… wow! Next to Charlie Oakley, Bruno Anthony (Robert Walker) is the other very best Hitchcock villain. That carousel scene is unforgettable. Well, the whole movie is. Plus, I love its black and white cinematography and the shots of the railways (seen from a moving train point of view).

3- Rear Window (1954)

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James Stewart, Grace Kelly, Thelma Ritter (at her best), Edith Head’s costumes, etc… And to me, this is the Hitchcock’s film with the best suspense. Never tired of watching it, even after 50 times.

4- To Catch a Thief (1955)

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I remember, this is the 2nd Hitchcock’s film I ever saw and I’ve always loved it. Last Friday, I saw it on big screen for the second time! It simply makes me want to travel the French Riviera!

5- North by Northwest (1959)

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This once was my favourite Hitchcock film. Not anymore, but I still love it very much. Worthy for that plane scene, and more of course!

The 60s and the 70s. I combined those two decades since he only made 2 movies in the 70s (so it would be difficult to do a top 5, you know…):

1- The Birds (1963)

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This is the first Hitchcock film I saw and it fascinated me the first time I watched it (so much that I decided to watch it a second time in the same weekend). It has its faults, but it certainly needs to be seen by all Hitchcock’s fans. Probably his most iconic one along with Psycho. And it’s not because of that film that I’m afraid of pigeons, ok? (There aren’t any pigeons in it anyway).

2- Frenzy (1972)

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Quite an overlooked Hitchcock’s film. Immensely thrilling.

3- Family Plot (1976)

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Hitchcock’s last film and a fun one, but I’ve already said a few words about it earlier!

4- Psycho (1960)

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It’s not my favourite Hitchcock film, but it certainly is a worthy one. That scene where Lila Crane (Vera Miles) “discovers” Mrs. Bates is priceless (along with the famous shower scene, of course).

5- Marnie (1964)

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I always tend to forget that Sean Connery starred in a Hitchcock’s film. Well, there was one and it is the underrated Marnie, the second Hitchcock film starring Tippi Hedren (the first one being The Birds). I think the main flaw of this film is being a bit long for what it is (I mean, it’s not Gone With the Wind after all), but overall it’s a good one.

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Well, if you haven’t seen many Hitchcock’s films, I hope these ones can be used as suggestions! If you did anything special on this Hitch day, please don’t hesitate to share it with me in the comments!

Happy heavenly birthday again Sir Alfred Hitchcock! And also, happy heavenly birthday to his wife Alma Reville! She was a screenwriter, editor, and co-director who had an important influence on his career. 🙂

By the way, if you want to read more of my Hitchcock’s related articles, I invite you to click on the links in orange!

BIO ALFRED HITCHCOCK

 

 

A British Chorus Line: A Girl Must Live (1939)

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Unlike Gone With the Wind or The Wizard of Oz, A Girl Must Live is far from being 1939’s most well-known film, but that doesn’t mean it isn’t worth seeing. I’m reviewing this film for the Fourth Annual British Invaders Blogathon, hosted by Terrence from A Shroud of Thoughts. As I’m always willing to promote some Margaret Lockwood’s film, this certainly is for me the best occasion for me to discuss this film.

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A Girl Must Live reunites Margaret Lockwood and notorious director Carol Reed for the fourth time after Midshipman Easy (1935), Who’s Your Lady Friend? (1937) and Bank Holiday (1938). The film also stars German actress Lili Palmer, Renée Houston, Hugh Sinclair, Naunton Wayne, George Robey, Mary Clare and more. The film was based on the 1937’s novel by Emery Bonnett.

Margaret Lockwood plays a young woman who aspires to become a stage star. She runs away from her finish school is Switzerland and, under the suggestion of her friends, chooses a new identity in order to increase her chances. She is now Leslie James, daughter of the famous Leslie James. In the boarding house ruled by the lively Mrs. Wallis (Mary Clare), she meets Gloria (Renée Houston) and Clytie (Lilli Palmer), two chorus girls who fight constantly and who are both attracted to wealthy men. Not long after Leslie, Gloria and Clytie manage to join a chorus line, the rich (and single) Earl of Pangborough (Hugh Sinclair) comes to town accompanied by Gloria’s cousin, Hugo Smythe (Nauton Wayne). Obviously, Gloria, and Clytie will each tempt to seduce the Earl, being more attracted by his money than by his personality. This only increases their usual rivalry. However, when the Earl meets Leslie, he seems to find her much more interesting than the two crazy blond girls (because yes, they are crazy!).

A Girl Must Live mixes drama, comedy, and music. We can really call it a musical as the moments where the girls dance and sing are rare, but it gives us a lovely preview of how Margaret Lockwood could manage to be the star of a musical. After her successes with Bank Holiday and The Lady Vanishes, it is obvious that Margaret was an increasing star (and would become UK’s most popular actress in the 40s). 1939 was a year of self-research for Margaret as she tempted to start a career in Hollywood. That was not a success and, uncomfortable in the city of angels, she preferred to go back to England and that’s where she did her best work anyway. A Girl Must Live will never be considered a “masterpiece”, but it’s much better than Susannah of the Mounties.

The comic essence of the film is established from the beginning when Margaret Lockwood escapes from the school. Martita Hunt plays the principal. She is proud, but it’s hard to take her seriously as her manners are rather amusing. After falling on her poor butt, “Leslie James” is now ready to conquer the world. This scene is also an emotional one as the young lady also has to say goodbye to her school friends, whom she will probably not see before a long time.

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We never really heard Margaret singing in this film, but there’s this scene where she is part of the chorus line stage number. In her solo, she talks more than she sings, but, nevertheless, she remains lovely.

There’s also this scene where she practices her tap dance. She’s so cute and amusing. Unfortunately, the scene lasts about 10 seconds. In 1945’s, Margaret starred in Val Guest’s historical musical I’ll Be Your Sweetheart, where we could see much more of her singing. However, her singing voice was dubbed by Maudie Edwards. Despite that, both A Girl Must Live and I’ll Be Your Sweetheart proves us that Margaret could have the perfect acting skills to rock a musical. Because, let’s not forget that she was, first of all, an actress and not a singer.

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Margaret Lockwood’s chemistry with Hugh Sinclair is a convincing one. I love the fact that they always meet each other in awkward situations where the poor lady is rarely properly dressed.

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You want some catfights? Well, Renée Houston and Lilli Palmer will offer you plenty of that. At one point, they even fight like knights using pokers as swords. In one of their greatest battles, a man delivers flowers for one of them. The flowers come from the rich Horace Blount ( George Robey). He’s waiting outside in his car. But he hasn’t chosen a good moment for his delivery as the flowers are thrown by the window during the fight and they fall around Mr. Blount’s neck. Even if the two girls are always fighting, there also is an unhealthy chemistry between the two. Somehow, they make me think a little bit of Bette Cooper and Veronica Lodge who always fight over Archie Andrews. Their moments of peace are rare, though.

Except for the amusing story truffled with numerous gags and the colourful characters, what I always liked about A Girl Must Live are the costumes. Those are simply lovely and suit perfectly the personality of each character.

A Girl Must Live is not really Carol Reed’s most well-known film, but it is the proof that he was able to direct comedies as much as he was able to direct films noir (Odd Man Out, The Third Man), war movies (Night Train to Munich) or dramas (The Stars Look Down, Trapeze). He chose Margaret Lockwood as his fetish actress and was always able to give her roles that suited her perfectly.

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If you haven’t seen A Girl Must Live yet, I highly encourage you to do so. The film has nothing to envy to Busby Berkeley’s musicals of the 30s, but it’s a great entertainment and will only increase your knowledge of classic British films.

And here is a link for you to watch it. 🙂

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A big thanks to Terence for hosting this always fun blogathon. Don’t forget to check the other entries!

The Fourth Annual British Invaders Blogathon

See you!

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Top of the World: Olivia de Havilland Turns 101!

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Today, the strong, lovely, talented, legendary Olivia de Havilland is turning 101 years old and we are very lucky to still have her with us! Aging gracefully, she certainly is one of the most beautiful women of that age! For the occasion, Crystal from In the Good Old Days of Classic Hollywood and Laura from Phyllis Loves Classic Movies are hosting The Second Olivia de Havilland Blogathon + Eroll Flynn!

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For the occasion, I’ve decided to present you a top 10 of my most favourite Olivia de Havilland’s films! Remember, these are my personal favourites, so it’s purely subjective. I ask you to respect my choices.

Just to give you an idea, I’ve seen a total of 12 of her films so far.

Here we go!

10. A Midsummer Night’s Dream (Max Reinhardt and William Dieterle, 1935)

I’m not THAT much a fan of this film, but I’ve decided to put it at #10 as 1- It has to be praised for the excellent performances (including Olivia’s one), 2- A Midsummer Night’s Dream remains, after all, my favourite Shakespeare play, 3- I love the magic and poetry embodied by the dreaming cinematography and 4- the two other ones I saw, The Private Lives of Elizabeth and Essex and Santa Fe Trail left me a bit indifferent.

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9. Hush… Hush… Sweet Charlotte (Robert Aldrich, 1964)

Quite a creepy film, but I’ve always found Olivia de Havilland’s performance quite interesting as it is very different from the innocent Melanie Hamilton for example! And who would say no to a film reuniting her, Bette Davis, Joseph Cotten and Agnes Moorehead?

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8. The Proud Rebel (Michael Curtiz, 1958)

This western was the last collaboration between Curtiz and De Havilland. Somehow it’s not too well-known, but I think it deserves more recognition. It’s a beautiful film and our Livie is absolutely touching in it.

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7. My Cousin Rachel (Henry Koster, 1952)

One thing: I STILL have to read the book by Daphné du Maurier. Ok, this film contains his flaws, but it remains an appreciable one to see. Olivia is quite fascinating playing this ambiguous Rachel! Who is she really?! This film is a good way to size her versatility as an actress.

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6. The Strawberry Blonde (Raoul Walsh, 1941)

I actually just watched this movie today in honour of the celebrated one! I quite enjoyed it! It was a lot of fun. Olivia and James Cagney (such a great actor!) looked just adorable together. The presence of Rita Hayworth and Jack Carson was, of course, highly appreciated as well. A good comedy movie to watch when you feel like not concentrating too much!

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5. The Dark Mirror (Robert Siodmak, 1946)

I’ve always loved psychological movies and this one makes no exception to the rule. Playing two roles in one film never looks like an easy task, but, here, Olivia did it wonderfully. A fascinating film.

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4. The Adventures of Robin Hood (Michael Curtiz and William Keighley, 1938)

Of course, we all like the collaborations between Olivia de Havilland and Errol Flynn. This one has to be my favourite one without hesitation. Olivia is so lovely as Lady Marian and the film itself is a wonderful entertainment!

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3. The Snake Pit (Anatole Litvak, 1948)

I’ve said that I’ve always loved psychological movies. Well, this one is another great example. I love to see the evolution of the characters in these. Here, Olivia de Havilland certainly gives one of her best and more challenging performances. She received an Oscar nomination for her performance.

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2. The Heiress (William Wyler, 1949)

And happy birthday to William Wyler, who was born on July 1st too! Well, if Olivia won her second Oscar with this film, it’s not without reasons. An extraordinary performance, full of subtleties and perfectly calculated. She gives an extraordinary essence to her character and it’s hard to surpass her. I’ve loved this film since the first time I saw it. Of course, I don’t think William Wyler ever made a bad film…

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  1. Gone With the Wind (Victor Flemming, 1939)

Ok, I know, this is not a very creative #1, but what can I say? I love the film ok! There would be so much to say about it, but for what concerns Olivia, she illuminates the screen and is in perfect harmony with the rest of the cast. I couldn’t think of anyone better to portray Melanie Hamilton. This is the first film of hers I saw. What a great introduction to her filmography! 🙂

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Well, that’s it! Of course, don’t hesitate to share your choices with me!

I want to thank Crystal and Laura for hosting this amazing blogathon. Please take a look at the other entries here:

The Second Olivia de Havilland Blogathon + Errol Flynn Day 1

Happy 101 birthday dear Olivia!

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