Top of the World: Celebrating Bernard Herrmann with 10 Wonderful Scores!

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Yesterday, the famous movie music composer Bernard Herrmann would have been 106 years old. He did not only share his brilliance in his collaborations with Alfred Hitchcock, but in all the movie scores he composed. It’s for that reason that he is a favourite among many cinephiles. He certainly was among those movie composers who perfectly knew how to musically illustrate the atmosphere of a film.

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I didn’t have time to “celebrate” him yesterday as I was working, but I thought I should honour him today with one of my traditional top lists! So, let me introduce you my 10 most favourite Bernard Herrmann scores! Of course, that was a most difficult exercise as he was a master of music. I had to change the order of my top many times.

Before continuing, remember that these are my personal favourite ones, so it’s purely subjective. You obviously can’t contest my personal tastes. 😉

Ok, here we go!

10. Psycho (Alfred Hitchcock, 1960)

Ah! How can we forget this haunting music regrouping strings only?! The shower scene is not the most “melodious” Bernard Hermann moment, but probably the one people will remember the most.

9. Citizen Kane (Orson Welles, 1941)

As much as I’m not THAT much a fan of this film (despite the fact that it is considered the best movie of all times and blablabla), there are TWO things that I love enormously about it, one of them being the music (the other one being Joseph Cotten). I love how it is at the time very sinister or very joyful. Typical Herrmann!

 

8.The Man Who Knew Too Much (Alfred Hitchcock, 1956)

My favourite Hitchcock’s film! And certainly one of my favourite Bernard Herrmann scores! It’s so orchestral, I love it! You unfortunately won’t hear it in this clip, but, during the film, there are some notes that remind us a lot of Vertigo‘s score that Herrmann will compose two years later. Of course, we all remember Herrmann’s cameo in the film! 🙂

 

7. Marnie (Alfred Hitchcock, 1964)

Without being Hitchcock’s best film, one can’t deny that this is among Herrmann’s best scores! Actually, it might be the best thing about this film. I absolutely love it.

 

6. Vertigo (Alfred Hitchcock, 1958)

When those notes start, you know you are in for something special! Somehow, I can always see Carlotta Valdes’s portrait when I hear this music or the famous dream sequence. A team work between Hitchcock and Hermann always creates prodigies! Another film that is considered “the best of all times” and, once again, Bernard Herrmann had the chance to be part of the team!

 

5. North by Northwest (Alfred Hitchcock, 1959)

As far as I can remember, North by Northwest has always been one of my very favourite music scores. It succeeds to so perfectly capture the attention of the viewers. Once again, one can perfectly visualize the film in his/her head while listening to this GREAT score!

 

4. Jane Eyre (Robert Stevenson, 1944)

I must be honest, I didn’t become familiar with that score until… well today. The reason is that I’ve seen the movie only once and quite a long time ago, so let’s say the music was not necessarily fresh in my memory! But when I was re-listening to some of the Herrmann scores, I discovered how great it was! I just can’t believe I haven’t took the time to listen to it more carefully before. It’s just ace! Somehow, I can visualize the movie in my head when I listen to it. It truly makes me want to watch it again! 4m14 – 4m30: this moment is absolutely terrifying, but great!

 

3. The Day the Earth Stood Still (Robert Wise, 1951)

That is THE sound of science-fiction! My favourite sci-fi film and very probably my favourite music score for a sci-fi film. In this score, we can hear both acoustic and electronic instruments, including two Theremins, which create those typical sounds from outer space.

 

2. Obsession (Brian de Palma, 1976)

It goes without saying, I am obsessed with this film score (ouuuu!). It’s just spellbinding. I especially love the first minutes of it. I can always see the scene where Cliff Robertson throws the suitcase with the money on the street or that unforgettable final scene… For a movie that is very similar to Vertigo, Bernard Herrmann was of course the ultimate choice for the music!

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  1. Taxi Driver (Martin Scorsese, 1976)

Ah, the last and ultimate Bernard Herrman’s score! From Citizen Kane (his first movie music score) to Taxi Driver (his last), he proved to be an absolute musical master. Taxi Driver‘s music is so mesmerizing and fits perfectly the dark New-Yorkian atmosphere of the film. It sort of makes me want to take saxophone lessons!

Well, that’s it! I hope you enjoyed! Of course, don’t hesitate to share your personal favourites in the comment section!

Cheers to Herrmann!

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31 Days of Oscar Blogathon 2015 (week 2: Oscar Snubs): Leonardo DiCaprio deserves an Oscar

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When he was about 19, Leonardo DiCaprio received a Best Supporting Actor Oscar nomination for his performance as a 17-18 years old boy suffering of Asperger’s syndrome in the movie What’s Eating Gilbert Grape (Lasse Hallström, 1993). Eleven years later, he was nominated for the Best Actor Oscar for his stunning performance as Howard Hughes in The Aviator (Martin Scorsese, 2004). Leonardo DiCaprio received a total of four Oscar’s nominations (the two other ones were for Blood Diamond and The Woolf of Wall Street), but he never won a single one. For the occasion of the second week of The 31 Days of Oscar Blogathon 2015: Oscar Snubs, I’ll try to explain to you why DiCaprio, who is an actor I adore, should have won an Oscar or should win one. For this, I’ll focus my text on his performances in What’s Eating Gilbert Grape and The Aviator.

Playing the part of someone with a mental disease like in Gilbert Grape and The Aviator is never something easy. Actors have to be well prepared to be convincing. Leonardo DiCaprio explained how he prepared himself to play to part of Arnie Grape in What’s Eating Gilbert Grape: “I had to really research to get into the mind of somebody like that. I spent a few days at a home for mentally retarded teens. We just talked and I watched their mannerisms. People have these expectations that mentally retarded children are really crazy, but that isn’t so. It’s refreshing to see them because everything’s so new to them.” (Leonardo DiCaprio). So we can see that it was a role he took seriously, because he decided to prepare himself for it. The result was, of course, unforgettable and we perfectly understand why he received this Oscar nomination. DiCaprio also chose to prepare himself well for the role of Howard Hughes in The Aviator. For that, IMDB informs us that he spent a day with Jane Russell to hear her memories and impressions of Howard Hughes. Remember, Jane Russell starred in the movie The Outlaw directed by Howard Huges. IMDB also informs us that Leonardo DiCaprio spent some time with an actual OCD patient named Edward. One more time, he was well prepared and gave us a wonderful performance. Leonardo DiCaprio also said: “portraying emotionally ill characters gives me the chance to really act.” That was a chance for him to prove that he was a great actor and he succeed.

Leonardo DiCaprio as Arnie GrapeLeonardo DiCaprio as Howard Huges

Arnie Grape and Howard Hughes are two persons having a mental disease, but they are also two very different persons. One is so endearing and the other one is so crazy, but not in the good way. One is full of life, the other one is unrealistic. One as a great complicity with his big brother, the other one is full of secrets. Yes, these are two very different characters and this is something that shows perfectly DiCaprio’s versatility. Of course, these are not the only movies that show his versatility. He is a nice and brilliant man in Titanic or a truly awful person in Django Unchained. Honestly, I was never disappointed by a Leonardo DiCaprio’s performance. Some were better than some others, that’s sure, but I never saw (well, for the moment) a performance of him that deserved a Razzie Award! However, the first DiCaprio’s film I saw that really amazed me (and my mother) was Catch Me If You Can, directed in 2002 by the King of Entertainment, the one and only Steven Spielberg. I remember watching it with my mother on our very small TV at our country house and after that we were like “Oh he is such a great actor!”

Leonardo DiCaprio and Kate Winslet Leonardo DiCaprio, Django UnchainedLeonardo DiCaprio, Catch Me if You Can

But let’s get back to What’s Eating Gilbert Grape and The Aviator. What amazed me in these performances is all the moves, the gestures, the tics that DiCaprio did to make his characters true and alive. Arnie Grape and Howard Hughes are two very physical characters. Some movie characters are alive only with their voice and the actor’s charisma, but that can’t be the case for Howard Hughes and Arnie Grape and that’s something DiCaprio understood perfectly. With Howard Hughes, the eye movements are very important. We can see that in the moment when DiCaprio blinks because he feels assaulted by the flash of the cameras. The hand moves become also important because they show the nervosity of this character. The hands moves are also important for the character of Arnie Grape because it’s a way for him to express himself. If you remember in the movie, Arnie Grape sometimes makes this move, flicking his finger against his nose. That was a gesture created by DiCaprio himself. He explained that this was like a “brain wipe… like Arnie is massaging the inside of his brain.” There, we can see that the actor doesn’t only know how to act, but also how to develop his acting and the characters he plays. He can go ahead of what he already knows. About The Aviator, I love the fact that Leonardo DiCaprio can express his emotions sometimes only through his gaze or his face moves. This is something full of subtlety that not everybody can do. Some actors just exaggerate this acting aspect, but I don’t feel like it was the case for DiCaprio in The Aviator.

The voice and the way of speaking an actor chooses for his character is also something important because that shows another aspect of the character’s personality. For Arnie Grape, Leonardo DiCaprio has to talk like a five year old boy and for The Aviator, well, was he speaking with Howard Hughes voice? Well, anyway, he used a voice that fits perfectly the character and that shows his eccentricity. On another subject, something about acting that his very important for me is the chemistry between the actors. Of course, I love that when it’s a good chemistry. For What’s Eating Gilbert Grape, I felt like DiCaprio as a truly great chemistry with the leading actor Johnny Depp, but also with Juliette Lewis. For The Aviator, I felt like he has a great complicity with Cate Blanchett. Well, did they really have a great chemistry in real life? I’ve heard in an interview about Gilbert Grape that Depp and DiCaprio enjoyed working together. For The Aviator, well, he confirmed that Cate Blanchett was the perfect actress to play the part of Katharine Hepburn.

Leonardo DiCaprio and Johnny DeppLeonardo DiCaprio and Cate Blanchett

Leonardo DiCaprio’s performances for What’s Eating Gilbert Grape and The Aviator amazed me for two different reasons: for the first film it was because he was capable to make his character so endearing and also because it was something so different from what I’ve seen of him before. For the second one, it was because he knew how to make his character so fascinating. He played both characters with such serious and energy and he was very convincing for both performances. I would have like to see him win an Oscar for one of his performances. I think he deserves one and I hope we won’t have to wait 20 years for that. Well, I once read on the web Leonardo’s answer to people like me, who want to see him win an Oscar. He explains that he was an actor because he like this profession and not for winning an Oscar. That’s not his first objective. I also felt like he is not the type of person to be jealous. When he lost is Aviator’s Oscar to Jamie Foxx in 2005, he simply said that he wasn’t surprised by that. He accepted the fact that he didn’t win and that’s something wise.

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I haven’t seen all Leonardo DiCaprio’s films, but I can’t wait to see more. So far, the ones I have seen are Titanic, Catch Me If You Can, The Great Gatsby (I didn’t really like the film, but DiCaprio’s performance was great), Inception, The Aviator, What’s Eating Gilbert Grape, Django Unchained, Shutter Island and The Departed. I think next one will be The Woolf of Wall Street. I would like to finish this text by revealing you Leonardo DiCaprio’s ten favorite films, because the man loves classics just like me! These are: The Bicycle Thief, Taxi Driver, Lawrence of Arabia, 8 ½, The Third Man, Yojimbo, Sunset Boulevard, Shining and East of Eden. Sunset Boulevard is also one of my favorite 10 movies. J That was a great fun to talk about a more contemporary actor. It was something different for my blog!

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