The Vincente Minnelli Blogathon: The Pleasures of Father of the Bride (1950)

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This weekend, my friend Michaela, blogger at Love Letters to Old Hollywood, is hosting her very first blogathon: The Vincente Minelli Blogathon! Minelli was well-known for his musicals such as Meet Me in St. Louis, An American in Paris or Gigi. I must admit, I really haven’t seen many of his movies, but my favourite is, without a doubt, Father of the Bride. Unlike the one I’ve previously mentioned, this one isn’t a Technicolor musical, but a simple black and white comedy.
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This 1950s’ film stars Spencer Tracy, Elizabeth Taylor, Joan Bennett, Don Taylor, Billie Burke, Leo G. Carroll Moroni Olsen and even Russ Tamblyn in a small role. The story is very simple: Kay Banks (Taylor), the daughter of Ellie (Bennett) and Stanley (Tracy) Banks, wants to get married to Buckley Dunstan ( Don Taylor). However, her father can’t get the idea of “losing” a daughter and is not sure Buckley is the right man for her. But that is in vain, as a 250 persons wedding finally begins to be organized by him and his wife. The film is mostly about the wedding’s preparations and the wedding itself.
Father of the Bride is an easy-watching movie. It’s a perfect film to view with your family to simply share a good laugh and an agreeable moment. No stress here, and no boring moments. On its release, it was a commercial success. The film was also nominated for a Best Picture Award at the 1951’s Oscars. A remake has been made in 1991 with Steve Martin and Diane Keaton (and also a sequel), but I believe it’s not as good as the original one.
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On my side, the main reason why I first decided to watch this film was because of Joan Bennett, and actress that I found most interesting and that I was beginning to discover. But of course, the idea that she was co-starring with Spencer Tracy and my twin Elizabeth Taylor was most appealing too! This was a very interesting Joan Bennett’s role for me to see as I was mostly used to her darker characters in Fritz Langs’ films or as the coquette Amy March in Little Women. But Joan Bennett proves that she can also be excellent as a simple family mother. She hasn’t lost her beauty and is radiant as always. There’s a lot of tenderness and warmth in her acting. This one remains simple, without any extravagances, but can still touch us. It was just the perfect dose for the type of character she had to play. Without any surprises, Spence Tracy first wanted Katharine Hepburn to play his wife, but as they were known as a too “romantic” couple, it seems they wouldn’t have been suitable as an ordinary married couple. (IMDB) I love Kate and Spencer duos, but I must admit it’s nice to see Spencer paired with other ladies! However, I don’t really agree with the reasons why Kate wasn’t cast in the role and I’m sure she would have done a fine job, just like Joan.
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Liz Taylor couldn’t have been a better choice as Joan Bennett’s daughter. Physically, they share a certain resemblance. Both have those black hair and this delicate figure that makes them look like mysterious and fragile beauties. Interestingly, both actresses played the role of Amy March in cinematography adaptations of Little Women.(IMDB) For her role, Liz gave the right dose of innocence to a girl that is said to be very young to be married. At the time the film was made, Liz was only around 18, but she seems a bit older, and in a good way. She’s not just a teenage girl, but also a real lady full of elegance. Her acting game as Kay contains softness, but also with a living energy. Despite her young age and the fact that she’s a bit treated like a child by her fictional father, I think it’s interesting to mention that, in 1950, 6 weeks before the film’s premiere, Elizabeth got married for real and for the first time, to “Nicky” Conrad Hilton Jr.
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Spencer Tracy plays the lead in this film and he’s just…perfect! Not only his acting, but also his narration. His voice tone is exactly right for the atmosphere of the film. I think the narrative moment I like the most is when he talks about Kay’s many boyfriends. Just cracks me up, especially when he starts with “Was it the one with the teeth?”
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Spencer was one of those actors that didn’t have to do much to gain our sympathy. Some of his facial expressions, and that’s the case for any movie he’s in, simply worth a million. He also has a very paternal figure, which suits perfectly his role in Father of the Bride. What I enjoyed the most about his character in the film, is the fact that he’s always trying to be subtle, but he’s not. Think of this moment while he is looking to  Buckley coming to their home, hidden behind the curtains. Simply hilarious! Even if Joan Bennett was not Katharine Hepburn, Spencer Tracy makes a beautiful couple with her. As “normal middle-class parents” they were convincing enough. As for the role of the father, the fact that Stanley can’t get the idea of “losing” his girl was perfectly embodied by Spencer Tracy. He really makes us believe the attachment he has for his fictional daughter and shows a beautiful chemistry with Elizabeth Taylor. Spencer Tracy received an Oscar nomination for his performance.
When I re-watched the film for the blogathon, I didn’t remember who played Kay’s fiancé, but when I saw Don Taylor’s, his face curiously rang a bell. From the film, of course, but I was sure I had seen him somewhere else. He plays William Holden’s friend in Stalag 17, so that’s probably the film I was probably thinking about (because I don’t think I’ve seen any other), but somehow he looks like another actor. I can’t say who! Anyway, if you have any ideas, please tell me. In an important supporting role, he does an appreciable job. He’s humble and doesn’t take too much place, which was perfect for his character. He might not be the most memorable one of the lot, but he shines in his own way.
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This is the main quartet, but some other actors deserve honourable mentions such as Billie Burke, who plays  Buckley’s mother. I had forgotten she was in the film, but when I saw her, I knew she would be a great support as she always is. Moroni Olsen who plays his husband is the perfect sympathetic fellow and encourages a smile on our face. Leo G. Carroll is often associated with Hitchcock’s, so it is nice to see him in a different kind of film! He gives the perfect touch of snobbism to his character.
With Father of the Bride, we have the proof that a movie doesn’t have to be based on something complicated to be good. Hey, it’s basically the story of a girl who prepares her wedding. Just a bit like 12 Angry Men, which is the story of 12 jurors who debates on the innocence of a boy condemn to death for murder. That goes without saying that the story contains surprises and an interesting development that makes it unique in its own genre. It is NOT just about wedding preparations, but also about family relationships. The fact that the whole thing is seen from the father’s point of view makes it very interesting too and different. It probably would have been something completely different if it would have been seen from Kay’s point of view for example. Of from  Buckley’s point of view. Just imagine!
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As a comedy, the film contains many moments of hilarity, but those are always added with beautiful tact so the film won’t lose its initial class. Father of the Bride is a refine comedy, which suits perfectly well to Liz Taylor, Joan Bennett, and Spencer Tracy. Could we say it’s a screwball comedy? This genre was mostly at its golden age in the 30’s and the early 40’s, but as it uses the theme of the wedding (an important theme in screwballs), we could say that it is a post-screwball comedy. It can also be the case because of its bright well-thought lines. The script, written by Frances Goodrich and Albert Hackett, based on  Edward Streeter’s novel of the same time, was nominated for an Oscar.

1- Ben Banks: Can’t be June. I’ve got my final. Why not May?

Ellie Banks: May’s too early.

Tommy Banks: July’s out. I’m going to camp.

Kay Banks: This isn’t a kids party. It’s my wedding and my friends.

2- Stanley T. Banks: No one paid any attention to the orchestra. Ellie could have saved that 85 bucks!

3- Stanley T. Banks: I would like to say a few words about weddings. I’ve just been through one. Not my own. My daughter’s. Someday in the far future I may be able to remember it with tender indulgence, but not now. I always used to think that marriages were a simple affair. Boy meets girl. Fall in love. They get married. Have babies. Eventually the babies grow up and meet other babies. They fall in love. Get married. Have babies. And so on and on and on. Looked at that way, it’s not only simple, it’s downright monotonous. But I was wrong. I figured without the wedding.
Apart from the good lines, the film is sprinkled with memorable moments. One of my favourite is when Stanley has prepared a ton of martini’s for the party, but everybody is ordering something else. Poor Mr. Banks! The meeting between Kay and  Buckley’s parents is pretty delightful too, just like the wedding itself.These are just a few examples, so you’ll have to see the film to discover more of them!
However, one that cannot be missed is when we first see Kay in her wedding dress. A simply magical moment for our eyes. The wedding gown was designed by Edith Head, so it could be nothing, but beautiful. I also love the dress Joan Bennett is wearing at the wedding. When Spencer Tracy sees his two favourite ladies at the top of their elegance he certainly is as much flabbergasted as we are!
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Father of the Bride is a movie that can easily be described as “simply delightful”. There are no uneccessary extravagances in it so it remains much pleasant to watch. I spent an agreeable time writing about it and I want to thanks Michaela from Love Letters to Old Hollywood for giving me the opportunity to do so!
Don’t forget to take a look at the other entries 🙂
Tata!
Ps: It’s funny because while I was finishing writing this my sister told me that there was an old movie on television. I went to take a look at it was Vincente Minnelli’s Meet Me it St. Louis! Fun coincidence. 🙂
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What a Character Blogathon: How Arthur Kennedy Changed my Cinematic Life

Actor Arthur Kennedy

When Paula, Kellee and Aurora announced that they’ll be back for a fifth edition of their famous What a Character! Blogathon, I said to myself that this was something I shouldn’t skip and that I had to choose the right subject. I was supposed to write an entry, last year, about Jessie Royce Landis, but due to a lack of time, I had to skip it. I was a bit angry at myself because I had everything prepared, but well, those things happen. But I didn’t want to make this mistake again this year. I didn’t want to pick something too obvious like Claude Rains or Thelma Ritter (don’t get me wrong, I love those two). I first thought of Jack Carson. I love Jack and I was obviously thrilled at the idea of writing something about him and see more of his films. But then I said to myself “wait, Virginie, you have to look for the other possibilities. Jack Carson isn’t the only great character actor.” Then I thought of a few others, including George Kennedy and George Kennedy made me think of ARTHUR Kennedy. I remembered enjoying Arthur Kennedy’s few performances I had seen and even putting him in the 47th place or so of my top 100 favourite actors (now he would very probably be higher). I decided that he would be my character actor for the blogathon and, believe me, I couldn’t have made a better choice. I simply grew up loving him while I was preparing this blogathon, and now I’m totally fascinated by him. For example, last Wednesday, I was working and I was so impatient to finish so I could get home and watch Arthur Kennedy’s movies! I was (and still am) thinking about him ALL the time when I was preparing this blogathon. If he has such a presence on screen, no wonder why he also has a great one in my mind too! It’s been a long time since I’ve been so motivated about the writing of an article. Feels good!

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I feel there’s so much I want to say about him. I should start by giving you my general appreciation of this actor and then will focus more particularly on the films I decided to watch for the blogathon, which are: City for Conquest, Elmer Gantry, Champion, High Sierra, Bright Victory, The Man From Laramie, The Desperate Hours, A Summer Place, The Window and Murder She Said... I like that because it reminds me of the good old times when I was doing those movie stars marathons. 🙂

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Well, Arthur Kennedy, dear Arthur Kennedy. Was he Jack Nicholson’s father? Could have been, but that’s something we’ll very probably never know. But, on my side, I like to think he was. It might be just a fantasy, but I like the idea that those two amazing stars could be relatives. And I have to say, Arthur does make me think of Jack! They both have this  unique smile. Similar eyes too, but I’ll say that Arthur’s one are gentler, softer. Their voice is similar too, without being exactly the same. Ok, this might just be me, but I think Arthur Kennedy’s voice sounds like a mix of Jack Nicholson, William Holden, and Joseph Cotten’s voice. I know, it’s quite a mix, but it’s just an impression I have if I pay enough attention to this detail. It’s, in fact, a voice that can be at the time very kind and comforting, but also more “rough” when it is necessary. Always agreeable to hear. We don’t associate Arthur Kennedy to crazy characters like we often do with Jack Nicholson, but I could imagine him in some of Jack Nicholson’s role and vice versa, without any problem.

I’ve compared a lot Arthur Kennedy and Jack Nicholson’s physical traits. And that leads me to answer a question: YES, yes I think Kennedy was handsome. He didn’t have a typical handsome face like Gary Cooper or Gregory Peck, but there was something about him. He was handsome in his own way and what glorified him was his impressive charisma, his self-confidence. Charisma is always a winner for me. And he had a unique face. Arthur Kennedy was Arthur Kennedy, he couldn’t have been anybody else and nobody could have been him.

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But of course, I don’t like him only because of his physical appearance (!), but also because of his acting skills. Before I started working on this blogathon, the Arthur Kennedy’s films I had seen were Lawrence of Arabia, Elmer Gantry, The Desperate Hours and City for Conquest. I somehow thought that he was one of these very underrated actors who never received any Oscar nomination or so. Yes, yes, like all character actors he is condemned to be underrated, condemn not to be remembered as an iconic actor and that’s the sad truth, but about the Oscars I was wrong. Arthur didn’t receive any, but he was nominated for no less than 5 of them! I think that’s something to be proud of. These were for Champion (Best Supporting Actor), Bright Victory (Best Actor), Trial (Best Supporting Actor), Peyton Place (Best Supporting Actor) and Some Came Running (Best Supporting Actor). Ok, I personally would have nominated him for all his roles, but we can’t have everything! Notice that, except for Some Came Running, all those films were directed by Mark Robson. Arthur Kennedy often played under the direction of Mark Robson and I believe this one was able to bring the best in him. So, hurray for Mark Robson!

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Arthur Kennedy is always a good support in the films in stars in. To be honest, some (many) of them wouldn’t be the same without his presence. He is a wise actor and that wisdom is shown in his subtlety, the fact that he never overacts or “explodes” when it isn’t necessary. He’s a thoughtful and reflected actor. While I was watching his movies for the blogathon, I’ve noticed that, while he knows what he’s doing, he is, at the same time, constantly looking for a way to improve himself and make a scene be as worthy as possible. He is in constable harmony with the movie atmosphere or with the other actors’ acting skills. Arthur Kennedy is an actor who observes.

This great character actor is good at playing characters that are a bit hard to size. There’s often an aura of mystery around them. Men that we don’t exactly know how they are inside. Not meaning that they are bad, but just a bit secret. This also creates an aura of mystery around the actor himself. And that’s why I would love to read the book Arthur Kennedy, Man of Characters: A Stage and Cinema Biography. It seems to be an excellent one! Somehow, I could often associate myself with Mr. Kennedy. I think that “ambiguity” was a major factor. I’m a bit like that myself, creating a sort of wall so people won’t know too much about me, what I think and feel.

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Arthur Kennedy apparently did some great stage work too. He started as an actor on Broadway in 1937. Too bad we aren’t able to see some of his stage work anymore… :/ I do wish time machines would exist!

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On stage with James Dean!

The impressive versatility of Mr. Kennedy as an actor was shown through a range of memorable films. It’s his performances in those films and the movie characters he portrayed that I am now going to explore in 10 of his films. Warning: I won’t be providing any plot summary for the simple reason that I don’t want this post being longer that it already is. I shall strictly focus on Mr. Kennedy’s performances and characters. Of course, I will prevent some plot elements if necessary.

Film 1 : City for Conquest (Anatole Litvak, 1940)

Role: Eddie Kenny

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Nothing better than starting all this with Arthur Kennedy’s first on-screen role. In this film, he plays a musician and music composer, and James Cagney’s brother, who portrays a boxer. The two actors are in perfect harmony and support each other with their respective talents. The film provides some very touching scenes between him and Cagney, especially in the parts where Cagney is at the hospital after having been badly injured during a boxing match. Even if this was Arthur Kennedy’s first role and not the leading one, he certainly steals some scenes. He was young and full of life. Even James Cagney seemed impressed by him! And if I’m not mistaken, it’s James Cagney who discovered him for the role. As a music composer, he is passionate and passionating. In this concert scene, when he leads the orchestra, he is shown in an impressive glory and dynamism. Anatole Litvak did a great job at giving him scenes that would emphasize is talent and make us noticing him. Finally, we observe that the character he’s portraying is one that is often calm, but can explode. This is not only felt in his music and the way he plays piano, but also in the boxing match scene when is brother is being completely destroyed. The desperate Arthur Kennedy certainly breaks our hearts.

Film 2: Elmer Gantry (Richard Brooks, 1960)

Role: Jim Lefferts

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I think this is one of my very favourite Arthur Kennedy’s roles and performances. In this world full of “passionate” Christians, he plays a reporter and perhaps the most normal character of the gang. What I like about Jim Lefferts is the fact that he represents the non-Christian spectators like me. Due to that, and other elements, Elmer Gantry is a film many can appreciate. I’m not religious at all, and religion is the central theme of the film. It remains a favourite and I believe Arthur Kennedy has a lot to do with it (of course I’m also a big fan of Burt Lancaster and Jean Simmons). Jim Lefferts is a character that is hard to size. He is sort of a double- faced one, which makes him quite interesting. Arthur Kennedy is a great support to Jean Simmons and Burt Lancaster. He sort of adds a touch of wisdom in the film, in this crazy world! But what I appreciate the most about his performance is the fact that, while I was watching the film, me and him sometimes had the same facial expressions at the same time. That connection felt great! Due to that, he’s the character I understand the best in Elmer Gantry. Arthur Kennedy also plays a reporter in the masterpiece Lawrence of Arabia. Once again, his “normality” creates an interesting contrast with Lawrence of Arabia himself, a greatly interesting man on many levels.

Film 3: Champion (Mark Robson, 1949)

Role: Connie Kelly

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For his performance in Champion, Arthur Kennedy received his first Oscar nomination. Here, he, once again, plays a brother, and, once again, he is a boxer’s brother (Kirk Douglas’s one this time)! It’s with this film that I noticed how Arthur Kennedy was excellent at playing men with a certain concern, who often worry about what is happening around them. In Champion, Arthur Kennedy is again the most “down to Earth” character, unlike his brother whose fame isn’t doing any good. When he tries to reason him, it doesn’t seem to really work and we wish we could be here to help! Arthur Kennedy has a great chemistry with all the actors in this film, but what particularly struck me were his scenes with Ruth Roman. Those are simply beautiful. If we are good watchers, we can see, from the beginning of the film, that Connie is in love with Emma (Ruth Roman). I personally think he is the one who deserved her the most. The film also contains some memorable scenes between him and Kirk Douglas, especially the final one: just before Midge Kelly (Kirk Douglas)’s 2nd boxing match against Johnny Dunne, the two men are having an argument which ends in a fight. Arthur Kennedy puts an impressive range of emotion in this scene as the desperate men who doesn’t know what to do anymore to reason his brother. Once again, he “explodes” at the perfect moment. Finally, Champion is a film that can be praised for his impressive black and white cinematography. Due to that, Kennedy is as much filmed in a glorious way as Douglas is. One of my favourite shots is when he walks in the dark corridors that lead to the ring. The only light is focused on him and we can see the despair in his face and that he knows that [spoiler] all this won’t end with a happy ending… [end of spoiler]

Film 4: High Sierra (Raoul Walsh, 1941)

Role: Red Hattery

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Arthur Kennedy’s role in High Sierra was a smaller one. As a matter of fact, it was his second on-screen role. But small or not, just because it’s Arthur Kennedy we appreciate any of his roles. I like the fact that one of the first things we see from him in this film noir is a smiling Arthur Kennedy. The film was, of course, much more Humphrey Bogart and Ida Lupino’s one. Arthur Kennedy simply plays one of those typical criminal “assistants” that are too often overshadowed. And I think that’s too bad and it would have been interesting to see more of him in the film. His acting shows potential and it would have been great if his character would have been more well-developed.

Film 5: Bright Victory (Mark Robson, 1951)

Role: Larry Nevins

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Finally a leading role for Mr. Kennedy! An another Oscar nomination too. 🙂 We must admit that the competition was high at the 1952’s Oscar for the Best actor category: Humphrey Bogart for The African Queen (the winner), Marlon Brando for A Streetcar Named Desire, Montgomery Clift for A Place in the Sun, Fredric March for Death of a Salesman (ok, that’s the one I haven’t seen, but I bet he deserved the nomination!) and, of course, Arthur Kennedy in Bright Victory. Unfortunately, there can only be one winner, but, in my heart, they all are! 😉 When I started watching the film, Arthur Kennedy made me smile immediately. Not that he is doing anything that could voluntary make us smile, he’s just driving a car, but simply the fact that he’s here and that I  was beginning to know him more and more. You know, just as if he was a friend. 🙂 In Bright Victory, he plays a man who becomes blind after being injured in the war. The moment when he receives the bullet and closes his eyes to express the pain is just perfect. Because he plays a blind man, Arthur Kennedy had to express a lot his emotions with his mouth, his voice, his gestures, and he did it right. I’ve noticed how he uses a lot his hands to show the tension his character is feeling, and this, especially after the heartbreaking scene when he learns that he won’t ever be able to see again. The scene where he tries to see his reflection in a mirror after having learned the bad news shows an emotional Arthur Kennedy, but, this time, emotional for what is happening to him and not what is happening to his relatives like in City for Conquest or Champion. Arthur Kennedy often shows an impressive energy and dynamism in this film, but can be calmer too. For example, when the lieutenant wants him to inform his family about his blindness, he looks at him like a little boy who has done something wrong. Poor Arthur! That telephone scene with his mother certainly is heartbreaking. Another great example would be this scene when he dances with Judy (Peggy Dow). There’s a lot of softness in him and it’s nice to see a romantic Arthur Kennedy! The evening ends with a kiss (and that was the first time I was seeing Kennedy is a kissing scene. Very worthy. *sight*….). You know that I love when Arthur Kennedy smiles, so, of course, that scene when he discovered that he has a sort of “natural radar” that allows him to “feel” the obstacles that are on his way is one of my favourite. He seems so happy and we know that his life will be alright after all. To continue with the touching scenes, I like the fact that Arthur Kennedy is very good with the girls in this film. That scene when he discovers Judy is crying is forever touching and almost made me cry. Or the fact that there’s always a lot of tenderness when he hugs Chris (Julie Adams), or when [spoiler] he hugs Judy in the final scene at the train station: the emotion! Simply beautiful! [end of spoiler] Arthur Kennedy was very thoughtful in this role. He somehow manages to make us feel his emotions and the emotion of his partners, with whom he always has an excellent chemistry. He is an actor who listens, who pays attention to his environment. If the feeling of anxiety is well expressed by Arthur Kennedy is this film, it’s also the case for the feelings of hope and happiness. The only thing I would have appreciated more from this film, and that’s not Arthur Kennedy’s fault, would have been to see more close-ups of his face. There’s one scene that does justice to that: when he’s on the balcony and opens and closes a light. There’s something sad in this scene, that is not only shown by his solemn face, but also by the light itself, as we know that, open or closed, it doesn’t make much difference for Larry Nevins’s eyes…

Film 6: The Man From Laramie (Anthony Mann, 1955)

Role: Vic Hansbro 

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The viewing of this film was a special one for me as Arthur Kennedy was starring on the sides of James Stewart, my favourite actor. It also was the first (and only one so far) western starring Kennedy that I was seeing. And the man is great in every type of role. Kennedy makes his first appearance in the film when he arrives to stop James Stewart’s aggressors. He warns Jimmy to not cause trouble in the town, and when Jimmy doesn’t “respect that” he has a fight with him. :O But strangely, unlike Jimmy he is quite calm after the fight. Arthur Kennedy still is a very “attentive” actor in this film. He has so much presence, even when he isn’t saying or doing anything. While he remains a very “relax” character (at a certain point) his unique love scene with Cathy O’Donnell (as Barbara Waggoman) is more aggressive and shows a more savage passion than the scenes with Peggy Dow in Bright Victory for example. Kennedy often proves is great acting abilities at many moments of the film. When he has a confrontation with Alec Waggoman (Donal Crips), toward the beginning of the film, he is angry, bitter and convincing. He NEVER overacts, but that doesn’t mean he has a lack of dynamism and good theatricality. He’s always very natural when he’s angry. When Dave is making a fire to attract the Indian’s attention, his “he’s completely crazy” face is just perfect. Kennedy shows a certain authority and remains [spoiler] and ambiguous villain. [end of spoiler] We just don’t see him coming. In the final confrontation with James Stewart, is desperate “What did I do to you!” makes us realize that he’s not the worst villain there is, mostly a misunderstood man. He then becomes the victim. He is “controlled” by James Stewart and we are not used to see Arthur Kennedy, the one who always stands up, the one who is so independent, receiving orders. That scene has one of my favourite Arthur Kennedy’s moment: his ” what the hell did we just do” face after he and James Stewart pushed the wagon full of rifles down the cliff simply cracks me up with laughs!

Film 7: The Desperate Hours (William Wyler, 1955)

Role: Deputy Sheriff Jesse Bard

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Just like City for Conquest and Elmer Gantry, this was not my first viewing of The Desperate Hours. But I was impatient to see it again to pay a better attention to Kennedy’s performance. In this film directed by my third favourite movie director, William Wyler, Arthur Kennedy plays a deputy sheriff and he’s just perfect at it. He is greatly involved in his role and shows an impressive concentration. Depending on the situation, he knows perfectly how to choose the right facial expressions. Kennedy was a natural. If he loses his patient, it’s always in the appropriated circumstances, but he knows how stays reasonable. Kennedy stands tall in every scene of the film and always owns the screen. When I came at the point of watching this film, I was recognizing Arthur Kennedy’s voice more and more, and that’s something I always like. As a “detective”, he couldn’t have been better. With his long grey coat, his hat, his cigarette he is highly convincing. Jesse Bard is a man who knows what he’s doing. Never he will put the victims in danger, despite the very delicate situation. He makes the right decisions and saves the family in a wise way. Finally, the final shots of Arthur Kennedy in The Desperate Hours shows some great close-ups of his profile, which allows us to see his very “typed” face.

If you wish to read more about The Desperate Hours, I invite you to read this article I’ve written for the Great Villains Blogathon: Glenn Griffin: The Desperate Hours’ Villain.

Film 8: A Summer Place (Delmer Daves, 1959)

Role: Bart Hunter

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In this melodrama, Arthur Kennedy plays an alcoholic family father. What I like about this film is the fact that he is one of the first actors we see. He is here at the very beginning. Yes! Bart Hunter is a man with a certain sense of humour. That unique smile of his and those cheekbones are obviously always welcomed. 😉 Bart Hunter is a very daring man. But he’s quite patient and constantly trying to calm the atmosphere (for example, when Molly and Johnny are missing). But he can also lose his temper. For example, in this confrontation with his wife (played by Dorothy MacGuire): this scene is very interesting as it shows a different face of Bart Hunter. He becomes a broken man from a broken family. There’s a long part in the film where we don’t see Kennedy, but his “comeback” is a powerful one. Molly and Johnny find him, drunk, and announce him their engagement. It’s impressive how he’s staying very calm and patient while he’s expressing his disapproval. In this scene, Bart has a moment of physical weakness and the feeling of pain is very well acted by Arthur Kennedy. A Summer Place was a great opportunity for Arthur Kennedy to show his versatility as an actor in a very complex and, I believe, very misunderstood role. At some points, he really made me think of Jack Nicholson, but I can’t really explain why! Finally, one thing I love about Arthur Kennedy in this film is this moment when he says something in French. Of course, as this is my first language, it’s always something I appreciate. When Helen Jorgenson (Constance Ford) says that the bedroom is “très, très jolie” he replies ” Votre approbation touch mon coeur madame.” That was too charming and this accent was too sweet, I had to play the scene a second time. The funny thing is that Mrs. Jorgenson doesn’t understand what he’s saying so Molly (Sandra Dee) has to do the translation. It’s always nice to have a sort of connection with our favourite actors! 😉

Film 9: The Window (Ted Tetzlaff, 1949)

Role: Mr. Ed Woodry

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The Window was a very interesting film about a boy who witnesses a murder, but that nobody believes due to his reputation of always telling stories. Here, Arthur Kennedy once again plays a family father. He was young and handsome in 1949 and had a lot of style. Mr. Woodry is a very patient man who first listens to his son’s stories with a certain amusement. But after he tells him about the murder, he tries to reason him and convince him that what he saw probably was just his imagination or that he is telling another story. We feel he becomes irritated by his son at some point, but he remains always very patient. Ok, I must admit there’s a moment in this film that really frighten me for a moment: after his son has run away from the house by his bedroom’s window to go tell the police about the story, Arthur Kennedy tells him “There’s something I will have to do, even if I don’t like it” or something like that, and he takes what looks like a wooden stick in a drawer. When I was watching that I was thinking “NO! No, he’s going to beat his son with this wooden stick. Please, Arthur Kennedy, don’t break my heart!” And the most frightening thing about it was the fact that he was staying very calm, just like a psychopath, you know. You can’t imagine my relief when I realized that this wooden stick was just the handle of a hammer and that he was only  going to use it to close the bedroom’s window. Ouf! Don’t worry, Ed Woodry is a good father!

Film 10: Murder She Said… (George Pollock, 1962)

Role: Dr. Paul Quimper 

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We finally come to our last film. In this adaptation of Agatha Christie’s novel starring Margaret Rutherford as the notorious Miss Marple, Arthur Kennedy plays a family doctor. He is a gentleman, quite agreeable. I’ve noticed that Arthur Kennedy’s voice in this film seems a bit more low-pitched than in the previous ones. But that might just be an impression! Anyway, it’s just a small detail. Dr. Quimper has a secret romance with Emma: we like that!  The way he pronounces the name “Emma” is soft and beautiful. We, however, notice a certain tension in him when [spoiler] Miss Marple discovers that he is the murderer. But he handles this in a brilliant way, without any unnecessary rage. [end of spoiler]. Murder She Said… certainly is a fun film and it was a great way to end my little marathon. However, as Arthur Kenned is the second actor credited, I would have expected to see more scenes with him. That’s the only thing that disappointed me a bit about the film.

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My viewing of Arthur Kennedy’s films certainly won’t stop here. I know I still have a lot to see, including his other Oscar performances. But this marathon made him an absolute favourite of mine, and as I’ve said in the beginning of this article, I couldn’t have chosen a better subject for the What a Character! Blogathon! I would have liked to talk also about his performance in Lawrence of Arabia, but I didn’t have time to re-watch this very long film in time for the blogathon. However, Monday I’m going to see the film on the big screen! 😀 Jealous? 😉

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The wisdom of Arthur Kennedy impressed me much and the very thoughtful and calm character he plays in those 10 films sort of made me a better person. Arthur Kennedy has a great influence on me, because, since I’m watching his film for the blogathon, it seems that I am more patient myself. I’ve learned a lot from Arthur Kennedy and I’m forever grateful.

I hope that with this quite long article (!) I was convincing enough on why Arthur Kennedy is such a great character actor and deserves more recognition.

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A big thanks to Once Upon a Screen, Paula’s Cinema Club and Outspoken and Freckled for hosting this amazing blogathon. It honestly felt good to be back after this absence due to final essays (that are fortunately over now).

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Don’t forget to take a look at the other entries, a good way to discover a bunch of other amazing and underrated character actors!

What a Character! Blogathon Day 1

See you! 🙂

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When Cary Grant Became Invisible… Topper (1937)

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Cary Grant is one of those actors that everybody loves or, at least, likes. There is so much about him that can easily charm us and makes him become a favourite. The man itself once said ” Everybody wants to be Cary Grant. Even I want to be Cary Grant.” He is my 4th favourite actor behind James Stewart, William Holden and Marlon Brando.

Sadly, like most classic movie stars, Cary Grant is no longer with us. He passed away on November 29, 1986, at the age of 82. To honour him on his 30th death anniversary, the wonderful Laura from Phyllis Love Classic Movies has decided to honour him with one amazing blogathon: the Cary Grant Blogathon

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Apart from starring in four Hitchcock movies from 1941 to 1959, Cary appeared in a great deal of memorable comedies such as Bringing Up Baby or Arsenic and Old Lace. The man always had a unique sense of fun, a humour that was proper to him. For the blogathon, it’s one of those comedies I chose: Topper, a 1937’s film directed by Norman Z. McLeod and also starring Constance Bennett, Roland Young, Billie Burk, Eugene Palette, Alan Mowbray and Arthur Lake.

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Topper is a ghost story. Ouuuh! But it’s somehow too glamorous to be an Halloween movie. The story goes like this: Marion and George Kerby, a rich and extravagant couple, dies in a car accident. So, they become ghosts. They can turn invisible if they like to. George’s banker,  Cosmo Topper, lives a boring and ordinary life with his wife Clara who constantly watches his diet and takes care of every minute of his schedule. After Marion and George’s death, Cosmo realises that life is too short for such a repetitive routine and wants to have some fun, but, for his wife, it’s out of question. Marion and George have to do a good action to go to heaven, which they, unfortunately, haven’t done in their life as living beings, but irresponsible human beings… So, they decide to help Cosmo Topper to a better life, a funnier and crazier one.

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We can’t deny the success that Topper had, as the result in the making of two sequels: Topper Takes a Trip in 1938 and Topper Returns in 1941; a TV-movie remake in 1979; and even a television series in the 50s. Unfortunately, none of these star Cary Grant.

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Somehow, before I saw this film for the first time, I thought it involved a rabbit  because the name “Topper” made me think of “Thumper”, the name of the rabbit in Bambi. But anyway, what sort of a name is this, Topper? It doesn’t sound very serious for a banker, no? 😉

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Topper is one of those Cary Grant’s movies that, just like Bringing Up Baby makes you want to enter in your television screen and go have some fun with Cary Grant and the others. I mean, Cary Grant was making truly cool and amusing films.

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Just look at the beginning of this film: Cary Grant is driving a car with his feet (!), then he goes party all night with his wife Constance Bennett. They dance, they sing and they even go down a slide in a fun restaurant. And to end this beautifully, they sleep in their car, just in front of Topper’s bank, so George won’t be late for the is meeting. All this happens while they are still alive, but as dead people who can turn invisible, the fun can just be better.

Cary Grant singing and driving with his feet in the film’s first scene:

But while Cary does the clown, he always remains very elegant. This might be due to his impeccable and unique accent, or to his chic allure and his right posture.

Cary also makes a wonderful pair with Constance Bennett. As I said before, they form one of the coolest on-screen couple, one you would just like to imitate, minor the car accident! In this film, Constance Bennett sort of makes me think of a mix of Susan Vance (Katharine Hepburn in Bringing Up Baby) and Carole Lombard. She follows the energetic, comic and, yet elegant pattern of those ladies.

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While I was re-watching the film for the blogathon, I really had to try not to laugh too hard, because I was in a public library! But there are some truly hilarious moments. My favourite one is when Topper is drunk and George and Marion carry him, but they are invisible. So he just seems to walk in a very weird way like if he a puppet or something like that.

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The film also impresses for its special effects. How do objects could move by themselves in movies from the 30s? Computers didn’t exist back then. The most impressive scene (for the special effects) is when George changes the tire of his car while his invisible. Everything is executed with an impeccable agility and synchronism.

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Topper is a fantastic comedy, but also has something of a screwball comedy and, due to that, contains some memorable lines, such has:

1- Cosmo Topper: Good morning, Clara.

Mrs. Topper: Good morning, dear. You’re late.

Cosmo Topper: Oh… better late than never. Only 44 seconds, anyhow.

(poor Topper- definitely my favourite line of the film)

2- Cosmo Topper: [drunk] Well, that’s how I dance. How do you like it?

George Kerby: [smiles and nods politely] Yes, I thought that was pretty – bad.

3- Marion Kerby: I don’t think he’s ever had a drink in his life.

George Kerby: Poor Topper.

Marion Kerby: Poor Topper.

Cosmo Topper: [mutters] Poor Topper.

George Kerby: You keep out of this.

4-  Cosmo Topper: Can’t you even *look* like a human being?

Wilkins: I don’t know, sir, I’ve never tried.

5- Mrs. Topper: Wilkins, after all these years, are you trying to be funny?

(Wilkins is the Topper’s butler)

6- Casey: [referring to Topper] Did you notice something funny about that guy?

Elevator Boy: That guy ain’t funny, he ain’t even human!

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There would be much more to discuss about Topper and about Cary Grant, but, unfortunately, I have to stop here. In end of term period, the time for blogging is unfortunately too short…

Anyway, I hope this gave you a good preview and convinced you to see the film if you haven’t because it’s a truly delicious comedy.

A big thanks to Laura for hosting this blogathon! It was a great idea!

Don’t forget to check the other entries:

Cary Grant Blogathon – Day 1

Cary Grant Blogathon – Day 2

Cary Grant Blogathon – Day 3 

See you!

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Announcing the 90 Years of Sidney Poitier Blogathon!

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This year, we celebrated Margaret Lockwood and Olivia de Havilland’s centennials via blogathons. 100 is a wonderful age (my grandmother is almost 100), but 90 too! On Fabruary 20, 2017, the great and iconic Sidney Poitier would turn 90. We are lucky he is still with us. ❤

As I love Poitier, I thought: Why not celebrate him with a blogathon! This is why I invite you to participate in the 90 Years of Sidney Poitier Blogathon! The event will take place from February 18 to February 20, 2016.

I must admit, I was very impatient to announce this event. As a matter of fact, this post is ready since July… I know he is loved by many, so I’m looking forward to your participation and your help to spread the word!

Huh, before you ask, I don’t want to wait 10 years to celebrate Poitier on his centennial O_o

Sidney Poitier changed the curse of film history. He was the first African-American actor to win an Oscar (while Hattie McDaniel was the first actress) and, as his friend Harry Belafonte said, he also was the first African-American actor to be given more important roles. He is a real icon of anti-racism movies and that’s because of this and his talent as an actor that he highly deserves to be celebrated.

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To participate to the 90 Years of Sidney Poitier Blogathon, I invite you first to read the few rules:

1- Choose a topic. It can be anything related to Sidney Poitier. I allow duplicates, but no more than 2 blogs on the same film/subject. Articles must be new material.

2- I will allow a maximum of two topics per blogs. Simply to give chances to other as I don’t allow duplicates.

3- Once you’ve chosen your topic, submit it in the comment section, via Twitter at @Ginnie_SP or via my e-mail address virginie.pronovost@gmail.com.

4- Help me spread the world as I want this to be a big event: grab one of these banners to help me promote the blogathon on your blog.

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5- On the blogathon days, I will update a new post where you would submit your entries. Don’t forget that it starts on February 18, 2017, and ends on February 20, 2017

6- If you have any questions, don’t hesitate to ask! And, most important of all: have fun!

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Here is a list of the participant blogs and their subject


I’m impatient for this to happen! 🙂 Let’s honour Sidney the best we can!

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