Top of the World: A Tribute To David Bowie Through His Films

af7f4b66983b3e0cd0288f6d59e55d76

January 8th week belongs to David Bowie and his also known as Bowiemas among his fans. Indeed, David was born on January 8th, 1947 and left us two days after his 69th birthday on January 10, 2016, which left many of his admirers in a state of infinite sadness.

As I haven’t written on my blog for a very long time, I thought I would pay tribute to the starman by discussing his films, the ones I’ve seen anyway. I more precisely decided to present you my personal ranking of his films, from my least favourite one to my most favourite one.

Notice that I put them in two separate categories: the fiction films and the documentaries/concert films

As always, I’ll ask you to respect my choices. I’m not claiming that the #1 on this list is the best film, but only that it is my personal favourite so it’s very subjective.

If you wonder why a certain film isn’t on the list, the only reason is that I haven’t seen it yet. Of course, I’m open to recommendations!

So, here we go!

***

Fiction films

7- Absolute Beginners (Julien Temple, 1986)

absolutebeginners

Absolute Beginners is not a great film, far from it. The reason why I put it in the last place is that it disappointed me for several reasons. It’s a musical and there are some fine songs, but I thought it was a bit too over the top, and not in a good way. I like extravagant films, but in this particular case, it wasn’t really going anywhere, which isn’t really a good thing. Some of the actors also tend to over-act, which didn’t add any sobriety to the film either. I was also disappointed by the fact that David Bowie’s role is, as a matter of fact, a very small one! Its moment of glory lasts only a few minutes and it is perhaps the best part of the film. Anyway, as he was the third actor to be credited I expected to see a bit more of him. Luckily, Absolute Beginners also has some good sides: David Bowie singing “That’s Motivation”, the scene at the beginning of the film when the main character Colin (Eddie O’Connell) takes photos of his friends in the street in a very dynamic way, the beautiful theme song written and performed by Bowie (I already loved it before seeing the film), the vintage aesthetic and more. So, as you can see, I didn’t hate the film, but it lacks consistency and, at the end, I had completely lost the focus.

6- Basquiat (Julian Schnabel, 1996)

image-3

This is the first David Bowie film I ever saw and I must admit I don’t remember much of it, but I put it in the 6th place as I know it was a better film than Absolute Beginners. Actually, I saw it in my art history class in CEGEP when we were talking about Jean-Michel Basquiat. David Bowie in the role of Andy Warhol was a pretty top-notch casting choice. David himself even wrote a song years before named Andy Warhol (part of his album Hunky Dory) and it’s a personal favourite!  The cast also includes David’s great friend Gary Oldman and another personal favourite actor of mine: Dennis Hopper. Anyway, I think I would have to see the film again to give you a full appreciation. I wasn’t even a fan of David Bowie at the time like I am today! So, of course, my vision of things will probably ch-ch-ch-change.

5- The Hunger (Tony Scott, 1983)

methode_times_prod_web_bin_7371d010-25e5-11e7-bbe5-53dfe0d91782

This one is pretty fresh in my memory as I watched it yesterday! I must admit, I took time to see it as vampire movies aren’t really my thing…anymore. But in a logical order of things, this had to be the next one. The good thing about it is that it is not a typical vampire movie and, as a matter of fact, the word “vampire” is never used by the characters. What I liked the most about the film was its visual aesthetic, which was very beautiful and poetic. Narratively, it was ok, a bit weird, but my attention was kept until the end. Without revealing any spoiler, I must admit I didn’t really like the development of David Bowie’s character which is… a big part of the story. Oops! The Hunger starts in force with an unforgettable opening scene and also ends in a strong way. Finally, I appreciated the cast including Bowie, Susan Sarandon, and Catherine Deneuve. This one looks so beautiful and she made me think sooo much of Grace Kelly! The Hunger is not your typical gory vampire film and it’s, as a matter of fact, a very sexy film, but maybe not for everybody!

4- The Man Who Fell To Earth (Nicolas Roeg, 1976)

62196e84a4292791c21a6c8ab9ef53e0

This is maybe THE David Bowie fiction film. I mean, can you think of a better role for him than the one of an extraterrestrial. Many also claim that this was his best performance and I’ll tend to agree. David Bowie’s presence on screen is always appreciated, especially in a leading role. The film itself wasn’t my favourite one and the main reason is that I found it a bit hard to follow and I am not that much a fan of science-fiction (but a few exceptions). At one point I wasn’t really sure what was going on anymore. But I recognize its quality and importance both in film history and David’s career. It’s a good think Criterion included in its collection. The Man Who Fell To Earth certainly was David Bowie’s most unforgettable role and he had the chance to play a very interesting character. The ending is very sad and sort of makes you say “well, that’s it?…”

3- Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983)

010-furyo-theredlist

Another film restored by Criterion. I found this one very interesting and David Bowie gives us a fair performance. I would call it a film of quality. As I read on the internet, this is indeed one of the rare POW films where the prisoners don’t attempt to escape the camp (if you compare it with films like Stalag 17, The Great Escape or La Grand Illusion). So, for that reason, it remains one of a kind. Merry Christmas Mr. Lawrence can be a bit slow at some point, but it remains a beautiful one. The music composed by Ryuichi Sakamoto (who also plays in the film) is one of the strong elements of the film as well as some visually poignant scenes, and David Bowie’s well-calculated performance. I also have to say I rather enjoyed the very last scene. It’s sad, but also very touching and reveals us the kinder side of one of the characters.  The only thing that truly annoyed me when I watched it is the fact that the sound was sometimes not perfectly synchronised with the image, but that’s not David’s fault!

2- Labyrinth (Jim Henson, 1986)

Labyrinth-Bowie_0

Just like The Hunger, it took me time to see this Labyrinth as I was not sure it would be my type of film. But, I knew it was an essential David Bowie film and, as you can see, I quite enjoyed it as I put it in the second place! Visually, it’s a bit dated and grotesque, but it remains a great entertainment and Jareth the Goldin King is a very interesting character and David gives it the right essence. The various sources of inspiration for this film also make it a worthy one. Finally, from Underground to Within You, I absolutely loved the score. You don’t often find such groove in fantasy movies!

1- The Linguini Incident (Richard Shepard, 1991)

3d106728b05a0e494bbaa85416449e18

No, I’m not saying that The Linguini Incident is a better movie than The Man Who Fell To Earth or Merry Christmas Mr. Lawrence, but it is the one I personally enjoyed the most. It’s not exactly an excellent film, it’s more a typical guilty pleasure but it’s such fun! I really liked the characters, a lot happens so you don’t get bored, and David Bowie is just there and it’s fantastic you know! Notice a cameo by top model Iman, David Bowie’s second wife. Oh and Vivian’s bras! Oh. my. God. Hilarious!

***

David Bowie documentaries/concert films

5- Cracked Actor (Alan Yentob, 1975)

p02clzpy

Cracked Actor is a very interesting film, and surely an essential one for curious people. However, David wasn’t really himself at the time due to his addiction to cocaine and he himself confirmed it in interviews years after. So, for that reason, I didn’t fully appreciate what I was watching. However, I found it worthy as it reveals us a bit of David’s creative process and shows us some excerpt of the Diamond Dogs Tour which unfortunately wasn’t released as a concert film.

4- Bowie in Berlin : ein Dokumentarfilm 1976-1979

GnPeTOs

A film about his Berlin trilogy (Low, Heroes and Lodger, but also a bit of Station To Station as an introduction and Outside as a conclusion), Bowie in Berlin is an informative document and the interpretation of his albums made by the various commentators is an interesting one as it gives place to reflection. What I noticed the most about it is that his Berlin trilogy albums were a work of quality, but not necessarily his most mainstream music and, therefore, not accessible to everybody. The form of the documentary itself is however not the most “entertaining” one as it is most of the time static images of people speaking, and you don’t really have any archive images of David performing these songs or interviews with people who really worked on these albums such as a David himself, Brian Eno or Tony Visconti. It’s very sober, but it remains informative and interesting.

3- Serious Moonlight (David Mallet, 1984)

12-david-bowie-080208

Seeing David perform on stage is always a great enjoyment, especially for someone like me who never had the chance to see him live. Ok, I must admit his platinum blonde haircut is not my favourite look, but except for that, it was a great show! It also allowed me to discover some of his musicians such as the amazing Earl Slick and Carlos Alomar. However, I’m disappointed that some of the songs such as Modern Love weren’t included in the film! The form of the film with interruptions between each song is a bit weird at some point and sort of breaks its continuity which can be a bit annoying.

2- A Reality Tour (Marcus Viner, 2004)

c02935e9f1339906624ff464cccd814d

David gives us a strong show here and really seem to enjoy himself. I felt he was more generous to his audience in this one than he was with the Serious Moonlight Tour, explaining the 2nd position on my list. This concert also made me discover some songs of his “newer” albums that I hadn’t really listened before. Gail Ann Dorsey is such an amazing bassist and her duo with David on Under Pressure is maybe one of the best things about the show. But it’s sad now to think that none of the original singers are here anymore to perform it. Sadly, that was David Bowie’s last tour, but what a tour!

1- Ziggy Stardust and the Spiders From Mars (D.A. Pennebaker, 1973)

rs-245265-bowie-ziggy

This has to be my absolute favourite David Bowie’s film, fiction and documentary confused. Ziggy Stardust really is THE thing that made me want to know all about Bowie and buy all his albums. It’s really what made me a fan of him. When I first watched it, I was so spellbound by that man, by Ziggy. It’s simple, I had the feeling God was in front of my eyes and David Bowie is the only god I believe in. Ziggy Stardust is more than just a concert, it’s a whole performance and something of high importance in David’s career. We also have to praise all these amazing costumes!

So, that’s it! I know I still have a lot to see, including that Last Five Years documentary, but I’m working on it. Any recommendations are welcomed. I hesitated on posting this article tomorrow to give me the chance to see one more film, but I thought today was a more suitable time to publish it.

Even if David Bowie’s singing career was more important than his on-screen one, he was made to act in films and was a much better actor than we suspect. He also was the actor of his life and constantly re-invented himself in various characters with highly developed personalities such as the immortal Ziggy Stardust or the dangerously fascinating Thin White Duke.

RIP David Bowie. We all love you and miss you.

davidbowie19672

Advertisements

Yummy and Yucky: The French Cuisine in “L’aile ou la cuisse”

image_tech_A_0525153321

Right now, I’m writing my text for the Food in Film Blogathon AND eating a sandwich at the same time. SO CONCEPT. I have to admit, I’m a pretty greedy person. Things I can’t resist? Ice cream, french fries, Champagne, and mojito (among other things). When I saw the announcement for Kristina and Ruth’s blogathon, the first film that immediately pop-uped in my mind was L’aile ou la cuisse (The Wing or the Thigh), a 1976’s French film directed by Claude Zidi and starring the crazy Louis de Funès, Coluche, Ann Zacharias, and Julien Guiomar. France has always had a reputation for its gastronomy. No wonder why they also make films where food is at the center of attention. I was happy to dive into that film again since I had only seen it once before and that was many years ago (I wasn’t even really watching classics at the time). I even remember watching it with my sister. Anyway, I don’t regret my choice as it is pretty perfect for this blogathon!

Food in Film Banners

The central character of L’aile ou la cuisse is Charles Duchemin (Louis de Funès), the editor of an internationally reputed restaurant guide. He has just been elected at the French Academy and is about to retire after the publishing of the Duchemin Guide’s last edition. He hopes to transmit his knowledge of the French food to his son Gérard (Coluche), hoping he’ll eventually follow his vocation. However, Gérard is barely interested in a career in this field and prefers his life as a clown in a circus (something his father isn’t aware of). However, Charles has to face a more serious problem: Jacques Tricatel (Julien Guiomar), the owner of a mass-produced food company is about to buy some restaurants that were supposed to be awarded by the  Duchemin Guide. If these restaurants are bought by a company producing cheap food, the future of high gastronomy might be at stake. Tricatel is also quite decided to tarnish Charles’ reputation. So, this one has to stop Tricatel and make people realize what kind of horrid food his company produces. So, with the help of Gérard (despite himself) and his new secretary, Marguerite nº2 (Ann Zacharias), he’ll tempt to stop Tricatel’s shenanigans, and this leads us to an unforgettable climax.

L’aile ou la cuisse doesn’t lose time to introduce food in the story. The opening titles present us a most entertaining animation made with kitchen tools, plates, and pans. It’s accompanied by Vladimir Cosma’s dynamic scores. These opening titles give the spectator two clues: that this will certainly be a film about food and that it will be a lively one.

Watch this. The “song” will probably be stuck in your head for a while, but, believe me, it’s worthy.

Seriously, I love that music! Somehow, I can imagine majorettes dancing on that with giant kitchen tools instead of batons.

After these credits, we move to the introductory scene, the one presenting us the Duchemin Guide. I believe it’s a perfect way to begin the movie as it gives you a good idea of what the Duchemin guide is about and the importance it has. The reputation of French cuisine very much depends on this guide, so the great restaurants have to give their best to keep their good status.

Charles Duchemin is known to be someone quite “mysterious”. Us, spectators, know who he is since we witness his everyday life, but, when he visits a restaurant to rate it, he always disguises himself not to be recognized. This creates some pretty hilarious scenes. Thus, Louis de Funès is not introduced to us as the veritable Duchemin but as a fancy old lady. One of his employees has been appointed to rate a restaurant but Duchemin prefers to assist as a second judge. The restaurant staff has obviously recognized the “assistant” and treats him like a king. They serve him the best food they have and multiple plates. Meanwhile, Duchemin (as an old lady) is neglected by the waiters, which indicates that, even if they serve good food, their customer service isn’t the best.

Duchemin will also visit restaurants as a cowboy, a bride’s father, and a cab driver.

Claude Ziddi’s film is an interesting one as it shows us different facets of the “food world”. Indeed, we and Duchemin’s crew encounter the best and the worst of French cuisine. At some point, some meals are real masterpieces, but some other are made by cooks who doesn’t really seem to give a damn about what they are serving to their customers.

In this Japanese restaurant, cooking becomes a real performance.

This wine has a similar colour to the one Mr. Alexander serves to Alex DeLarge in A Clockwork Orange…

Tricatel “food” (if we can call it food) is the perfect example of anti-French gastronomy. Indeed, when Charles and Gérard manage to enter in the factory, they discover how their food is made, which is a process that has to be denounced. Sadly, even if L’aile ou la cuisse is “just a film” it certainly reflects a certain reality.

l-aile-ou-la-cuisse-tricatel

At one point in the film, Duchemin faces a pretty challenging problem: to Tricatel greatest amusement, he has lost his sense of taste! However, the renowned editor hasn’t finished to impress us. Indeed, in a scene, he manages to guess the name, grape variety, and year of a red wine only by looking at it.

LmRBxyrmWs0yPVyvIIOmIDgYDQM

***

If you haven’t seen L’aile ou la cuisse yet, I highly recommend it. Not only it will make you travel in the world of French cuisine, but you’ll also appreciate it’s humour.

A big thank you to Kristian from Speakeasy and Ruth from Silver Screenings for hosting this delicious blogathon! 😉

Make sure to satisfy your appetite by reading the other entries!

Food in Film Blogathon Day 1

Food in Film Blogathon Day  2

Food in Films Blogathon Day 3

See you!

7780268787_louis-de-funes-dans-l-aile-ou-la-cuisse

Top of the World: 15 Burt Lancaster Films

09dacc88dab1d56b814157b2aafbdea1

Today marks the Burt Lancaster’s birthday! You may know it or not, but he has always been one of my very favourite actors since in discovered him in The Unforgiven (John Huston, 1960). The one we also call “Mr. Muscles & Teeth” or “Big Teeth” if you are my mother starred in some movies that marked cinema’s history and always delivered top-notch performances. In order to honour him on this very special day, I thought it would be fun to do a top list presenting my 15 most favourite films of his.

Before we continue…

I insist you respect my choices. This is a list of MY own favourite Lancaster’s films. I’m not claiming that these ones are the best, but only the ones I personally like the most. It’s not objective at all. It’s very subjective.

Also, if a movie is not on the list, it doesn’t mean that I don’t like it. I have seen a total of 22 of his films. So, obviously, some won’t be on the list (not to mention the ones I haven’t seen yet).

Notice: If you should fail to respect this simple request, your comment will be deleted.

Of course, you are invited to share your personal favourites in the comments section!

***

So, that’s enough blabla! Here we go!

15. Vera Cruz (Robert Aldrich, 1954)

I think I mostly like this film due to its cast. I mean, Burt Lancaster and Gary Cooper in the same film, what a dream!

88a27a34173b3acd93ff257925e2a8b8

14. Trapeze (Carol Reed, 1956)

I remember my grandfather talking to me about this film. It was the second film to reunite Burt Lancaster and Tony Curtis (well, don’t you remember, Tony was playing an extra in Criss Cross. Haha!). Pretty enjoyable, but not a masterpiece like Sweet Smell of Success either!

13c624d2c061d6388e87b355b6f8150f

13. The Unforgiven (John Huston, 1960)

I discovered Burt with this film!

46dfb4da25835ebee303c5828f4e1ab7

12. A Child Is Waiting (John Cassavetes, 1963)

5d5309e7cb798b7b70ca99b3fd4b6fb9

11. Seven Days in May (John Frankenheimer, 1964)

 I’m normally not too much into political films but I had to include it on the list as it’s unique in its own way and has an impressive modern touch.

1477472290133

10. Kiss the Blood Off My Hands (Norman Foster, 1948)

a4d90ba530c5a0cfe0d39ed155348454

9. Sweet Smell of Success (Alexander Mackendrick)

” Match me, Sidney!” (Couldn’t resist). Brilliant film, but Burt sort of scares me in it!

ef3abef5f1ddce38badf56bd3cca56a0

8. The Rainmaker (Joseph Anthony, 1956)

This is one of Burt’s most underrated films. I personally love it and his performance in it is one of my most favourites. That monologue at the beginning totally captivates me! When Earl Holliman sent me these autographed pictures, he wrote that this was indeed the favourite film he made (his performance in it was brilliant as well) and that he loved working with Burt and Kate. 🙂

the-rainmaker-burt-lancaster-katharine-hepburn-1956_a-G-9342345-4985766

7. Elmer Gantry (Richard Brooks, 1960)

Not a film everyone “gets”, but I personally love it. Burt won a well-deserved Oscar for his performance!

elmer075

6. Airport (George Seaton, 1970)

Is it a guilty pleasure? It’s not a bad movie, of course.  It’s pretty good in fact, but disaster movies always seem to be a synonym of “guilty pleasure”! Anyway, I know many will have a different opinion on that.

d49f05fe1d5cdefc231d985ce272716a

5. Separate Table (Delbert Mann, 1958)

That cast! Oh, my! I didn’t like the film so much the first time I saw it but loved it the second time. I’m weird like that.

3071b2b60a07e0596a60e9de94e49932

4. Come Back Little Sheba (Daniel Mann, 1952)

Some say that Burt was miscast for the part as he was too young. Maybe but personally, I’ve never really mind it. Love the film itself anyway!

ac0850f309df396aa399b17827f6279b

3. Birdman of Alcatraz (John Frankenheimer, 1962)

Such a special film!

kinopoisk.ru

2. Brute Force (Jules Dassin, 1947)

Hard to believe this was only Burt’s second film! Always enjoy watching my Criterion DVD. 😉

dc3005e1dacb7035a787f336cc9605ae

And

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

  1. From Here to Eternity (Fred Zinnemann, 1953)!

I know, this might not be a surprising choice, but I that film absolutely conquered me!

af43e63d614253c7c1d76b1f75f1a5a3

I haven’t include it in my list but I have to say, Burt is SO sexy in The Crimson Pirate! ❤

b67706ffff382778899766999e7d7333

***

Well, that’s it! Hope you enjoyed it! I’ll be curious to know which ones are your favourites!

Happy heavenly birthday Burt! 🙂

giphy