Claire Trevor’s Films Marathon: Feedback


I’m glad to be back with a new actor’s film marathon: a Claire Trevor’s Marathon. The special thing this time, is that I’ve made this marathon for a blogathon: The Marathon Stars Blogathon (hosted by me at The Wonderful World of Cinema and Crystal at In the Good Old Days of Classic Hollywood).

I’ve decided to go with Claire Trevor as she has always been a curiosity to me. I absolutely loved her in Born to Kill and, after having seen this one I had only seen her in William Wyler’s Dead End (in which she has a rather small part, but still was nominated for a Best Supporting Actress Oscar). Anyway, I had to see more of her work, so this blogathon was the best occasion to. We also celebrated her birthday on March 8, so this will be my way to pay a tribute to her.

During my marathon, I’ve watched a total of 7 Claire Trevor’s films. Well, more 7 3/4, considering that I didn’t have time to finish watching Raw Deal, but I’ll try to make a little come back on this one, according to what I’ve seen so far. And will try, of course, to watch the entire film one day!

My feedback will only focus on Claire Trevor’s performance and character for in each film. Hope you’ll enjoy and, if you’re not too familiar with her, I hope it will make you want to watch some of her films!

Film 1: Key Largo (John Huston, 1948)

Role: Gaye Dawn


Wasn’t there any best way to start this marathon with what allowed Claire Trevor to win her first (and only…) Oscar? She indeed won the Best Actress in a Supporting role Oscar in 1949 for her brilliant performance in Key Largo. All the actors are great, but we have to admit that she steals the show. The lady she portrays in this film has a strong personality, and this element will often be used for Claire Trevor’s characters. We remember this line when she yells at one of the actors “GIVE HIM A BEER”. Her angry voice tone is very convincing! However, Gaye Dawn has a weaker side due to her alcoholism. We remember this heart breaker scene when she sings “Moaning Low”. She sings completely off key, with no energy. Humphrey Bogart and Lauren Bacall feel sorry for her, and so we do: meaning that her emotions are correctly transmitted to us. Gaye Dawn is first known to be on the wrong sad, but she ends up being on the right one when she decides to help Humphrey Bogart. That and her touching performance makes her the real winner of this film.

Film 2: Murder, My Sweet (Edward Dmytryk, 1944)

Role: Helen Grayle/Velma Valento


Claire Trevor certainly was a queen of Films Noir and this film, along with Born to Kill, proves it greatly. However, I don’t think her character in this one was as much interesting as Helen Brent in Born to Kill. She plays a femme fatale (who lies about her real identity, adding a part of mystery to her character), a mean and cruel one. Claire Trevor knew how to play women with no pity. Velma Valento certainly was one. She doesn’t have that much a big part in this film, but the scenes where she appears are some of the most powerful as she has sort of a malefic aura around her.

Film 3: The Amazing Dr. Clitterhouse (Anatole Litvak, 1938)

Role: Jo Keller


The Amazing Dr. Clitterhouse was to me something very unexpected (in a good way). Just like in Key Largo, Claire Trevor’s co-male stars are Humphrey Bogart and Edward G. Robinson, but, this time, Bogart is the bad one and Robinson is the good one. Note that this film was released ten years before Key Largo. The Claire Trevor of Dr. Clitterhouse is the one we know well: it’s hard to say on which side she is and she uses this mocking tone of voice that is sort of her trademark. She knows how to confront people by looking to them right in the eyes. She wants them to know what she wants. A woman has to shine if she’s alone in a men’s world and Claire Trevor knew perfectly how to. However, she also can be impressed by them and this film proves it.

Film 4: Stagecoach (John Ford, 1939)

Role: Dallas


This is a film I wanted to see since a long time (I had seen excerpts in class and thought it looked great), so I certainly had to add it to my marathon. Here, Claire Trevor plays a woman who keeps her distances, who is cagey, but who turns out to have a kind heart. She is simply shy. During her trip in the stagecoach, she learns to appreciate those who travels with her. The more she gets to know them, the more she shows her tender side. Although, she doesn’t appreciate everybody, but when she does, it’s perfectly clear. I think this is one of the perfect film to illustrate Claire Trevor’s ability to change emotions. The Dallas from the beginning of the film is very different from the one at the end. This is not only a Western, but also a road movie. In every film genre, but particularly in this one, there needs to have an evolution of the characters. This was a success for Dallas. I also love the scene when she takes care of Lucy’s (Louise Platt) baby. She seems so sweet and so maternal.

Film 5: How to Murder Your Wife (Richard Quine, 1965)

Role: Edna Lampson


How to Murder Your Wife was one of Claire Trevor’s last films. We had previously seen her in Westerns and Films Noirs, so to see her in a comedy was something completely new for me. Claire Trevor was, of course, older in this film, but still very distinguished. And boy, we happily discover that she could be the perfect Femme Fatale in Films Noir, but also that she certainly knew how to play comedy! Here, Claire Trevor plays a very eccentric woman. She has a supporting role, but, sometimes, those are the best. She is the perfect “annoying wife” and this allows us to see another side of the actress, a wilder one. At this point of her career, Claire Trevor could be considered to be a character actress due to the type of roles that were given to her. Edna is a very cool woman: she’s funny, she dances, she speaks Italian. Claire Trevor still his a strong and brilliant woman in this film, a leader, by defying the misogynist male spirit.

Film 6: Baby Take a Bow (Harry Lachman, 1934)

Role: Kay Ellison


It was very interesting to see one of Claire Trevor’s later films (How to Murder Your Wife) and then one of her earliest (Baby Take a Bow). Her performance in this one is very different. She plays a more “innocent lady”, a sweet mother (how else could it be in a movie starring Shirley Temple?…). She has a more passive role in this film, but her presence remains appreciated. We are fond of her character has she is a truly good mother who cares for her child. Claire Trevor was still quite young when she starred in this comedy. Even if, by playing a “sweet and innocent” woman, she allowed us to see that she could play different types of roles, I have to admit, I prefer when she plays a strong woman who knows what she wants and defy male’s prejudices towards women.

Film 7: Dark Command (Raoul Walsh, 1940)

Role: Mary McCloud


I think, among all the films I saw for my marathon, this one revealed my favourite Claire Trevor. Here, she is a real leader. She has a great energy, she knows what she wants, she gives orders to her brother and her father and they obey. RESPECT. When she smiles, it’s an honest one, not a false one like her femmes fatales’ smiles She’s very elegant.  One more time, she and John Wayne are reunited together in a western (also starring Walter Pidgeon). They have a great chemistry together. She intimidates him at first when he tries to talk to her. She’s not easy to approach! She’s somehow insulted when he asks her to marry him, considering that she barely knows him. She’s not interested. But she ends up appreciating him and sees a great friend in him. She also has a good chemistry with Roy Rodgers, who plays her brother in the film. Mary McCloud is a woman who loves her family and his devoted to it. She worries about her brother, but knows how to remain courageous. She’s more emotional when a misfortune happens to a member of her family or someone she loves. When she’s with Walter Pidgeon, she reveals us a calmer side. Claire Trevor still has her little ” mocking side” in this film, but that’s part of her charm.

Film 8: Raw Deal (Anthony Mann, 1948)

Role: Pat Cameron


As I said, I didn’t have time to see Raw Deal in its entirety, but I saw enough to give you a little feedback on Claire Trevor’s performance. Pat Cameron is nothing but a woman in love. She cares for her boyfriend and won’t let it down (or will she?) She has a rival: another woman (actress). The confrontations between her and this woman adds a tension to the film. Pat will do everything to help her man. She helps him to escape from jail, which is not a small thing. As she often uses to do, the Claire Trevor of Raw Deal is not afraid to say what she thinks.


Which one did I prefer among these ones? It’s hard to say! I hesitate between Stagecoach and Dark Command (clue: I love westerns), but they all have something special. I think I less appreciated Murder, My Sweet because it confused me at some point, but it remains something interesting to see.

Claire Trevor is certainly is an actress to discover! I’m glad I chose her. So far, I’ve seen 10 1/2 of her films. Born to Kill remains my favourite one of them all, but I hope I’ll see more! I love discovering new actresses, especially underrated ones like Claire Trevor. She was talented, strong and so beautiful!

To read the other entries, I invite you to click on this link:

The Marathon Stars Blogathon

I hope I’ll be able to make another blogathon soon! It has been a while.

P.S: If you are on Facebook, I invite you to join my new group dedicated to this actress: Claire Trevor: A Golden Actress

Annex - Trevor, Claire_NRFPT_04


Coming Soon: Robert Young’s Films Marathon


After an Olivia de Havilland, a William Holden and a Dolores Hart’s film marathon, I’ll start a Robert Young’s film marathon soon. I haven’t seen Robert Young in many movies: two (Secret Agent and Crossfire), plus some episodes of Father Knows Best. However, I’ve always enjoyed his acting and this marathon will be a great occasion for me to watch more of his films.

Here is a list of the Robert Young’s films I’ll watch for my marathon. Of course, this list depend of the availability of the films.

1- Red Salute

2- Western Union

3- Claudia

4- Relentless

5- Second Woman

If I have time, I may re-watch Secret Agent and Crossfire

I would love to see The Enchanted Cottage, however I haven’t found any links or DVDs to watch it.

Can’t wait to start this marathon!


Dolores Hart’s Films Marathon: Review and Feedback


I think it was about time for me to write my feedback for the Dolores Hart’s Films Marathon. It was a short marathon as I watched seven of her films, but it seems to me that it lasted forever! The best thing I discover about Dolores Hart when I watched those films, is the fact that, not only she was a talented actress, but that she was also a very versatile one. As some of you may know, Dolores Hart is today known as Mother Dolores Hart. Because in 1963, this lady, who was on the right track to become an iconic Hollywood legend, decided to quit the cinema’s life to become a nun. She is, since, a Roman Catholic nun at the Abbaye of Regina Laudis in the Connecticut. Dolores Hart was known as the “new Grace Kelly” . She, indeed, looked a lot like her. Like Hitchcock’s favourite blond, she had a short film career, but for different reasons. In 2012, she attended the Oscars Ceremony, because this film: God Is the Bigger Elvis, a movie about her, was nominated for Best Documentary. Mother Dolores is also a member of the Academy of Motion Pictures Arts and Sciences (A.M.P.A.S). So, she hasn’t completely quit the cinema’s life. In 2013, she published her auto-biography, The Ear of the Heart, co-written with Richard DeNeut. Now, it’s time for us to explore some of her films and see how a great actress she was!


Film 1: Loving You (Hal Kanter 1957)

Role: Susan Jessup


Loving You was the first of two movies starring Dolores Hart and Elvis Presley. It was the first kiss between the king and the princess. It was Dolores Hart’s second film (the first one was “Ambre”), but it was her first credited film. When she starred as the lovely Susan, Dolores Hart was only about 19-20! Of course, she didn’t have a leading role in this film (the main female character was played by Lizabeth Scott), but we certainly noticed her. Loving You is a very simple musical. Deke Rivers (Elvis Presley), a delivery man, who also have a wonderful talent to sing, is discovered by Glenda Markle (Lizabeth Scott), a publicist, and Tex Warner (Wendell Corey), a country-western musician. Glenda who sees his musical potential asks him to join the Tex Warner Show. He then starts his musical career, not without any problems. In the story, Dolores Hart plays a singer in the band. The Dolores Hart’s moments in this film are not numerous, but they are those we remember the best. One of the most beautiful ones is when she invites Elvis (Deke) to her parent’s farm in the country. There is now a real romance between the two. I also liked the moment when she and Elvis go to an amusement park. However, the scene where Dolores Hart really proves us that she gets talent, is when she makes a speech revealing to the audience waiting for a Deke Rivers’s show that he is not here to sing for them. In this scene, Dolores Harts puts so much emotion and energy in her speech. She is really incredible. Loving You is a nice film, not the best movie of all time, but if you like Elvis and want to see a lovely Dolores Hart on screen, I will immediately recommend it to you.

Film 2: Lonelyhearts  ( Vincent J. Donehue, 1958)

Role: Justy Sergeant 


The cast of Lonelyhearts is certainly one we never forget: Montgomery Clift, Myrna Loy, Robert Ryan, Maureen Stapleton, Jackie Coogan and, of course, the one and only Dolores Hart. One more time, as it was only her fourth film, Dolores Hart didn’t have the biggest part in this film, but it was certainly a little bigger than her part in Loving You. I have to say, from films to films, Dolores Hart’s talent was beautifully growing. As much as she was great in Loving You, she was even better in Lonelyhearts. This film tells the story of Adam White (Montgomery Clift) who dreams to work for the Chronicle (a newspaper). In a bar, he meets  William Shrike (Robert Ryan), Editor-in-Chief of the Chronicle and his wife Florence (Myrna Loy). He convinced him to work for the Chronicle, but he is hired for the “Miss Lonelyhearts” section of the newspaper and has to answer to reader exposing their life problems. This is certainly not the kind of job he was expecting. Dolores Hart plays is girlfriend, a girlfriend who loves him tenderly. Here, Dolores Hart plays her part with such softness. It’s beautiful. She had to play a character who sees and understand the world with her heart and she did it great.

Film 3: King Creole (Michael Curtiz, 1958)

Role: Nellie


King Creole is a really nice Michael Curtiz film, and it’s always enjoyable to watch one of his films because he was one of the greatest movie directors of all times. He directed some masterpieces such as: Casablanca, Mildred Pierce, The Adventures of Robin Hood, Yankee Doodle Dandy, etc. King Creole was one of his last films. This was the second and last film starring Dolores Hart and Elvis Presley. Elvis had more talent to sing than to act, but, I must admit, he did a really great job in this film. Carolyn Jones and Walter Matthau, two wonderful stars, also starred in this film. King Creole takes place in New-Orlean. Elvis Presley plays the part of Danny Fisher, a boy who loves music more than school. One day, he is kicked out of his school and becomes a singer at the bar “King Creole”. I have to be honest, I remember the film, but I don’t really remember Dolores Hart in it. The leading female role was played by Carolyn Jones and Dolores Hart had a really small part. Her part was a little similar to the one in Loving You. Lovely and sensitive.

Film 4: Francis of Assisi (Michael Curtiz, 1961)

Role: Clare


That was another Michael Curtiz’s film starring Dolores Hart. Was she about to become his new Olivia de Havilland? Remember, Olivia de Havilland starred in no less than EIGHT Michael Curtiz’s films! Francis of Assisi tells the story of Francis Bernardone (Bradford Dillman), the son of a cloth merchant. He and his family live in Assisi, Italy. After hearing a voice several times, God’s voice, he decides to dedicate himself to Him. Well, that’s the story of St. Francis. Dolores Hart plays the part of Clare, a young aristocratic lady. Francis and Count Paolo of Vandria (Stuart Whitman) are both in love with her, but Clare decides, toward the end of the film, to become a nun. This is a very special scene in the film, this moment when Clare becomes a nun. What’s also special about this film, is the fact that it kind of predicted Dolores Hart’s real life, because she really became a nun as I told you sooner. The question is, does this film had a big influence on her life choice? Well, as I haven’t read her autobiography yet, the reasons why she decides to dedicate herself to God are still mysterious to me. I don’t think she became a nun mainly because of this film, but it probably had a certain influence. Dolores Hart made four other films after this one. Getting better and better, Dolores Hart was unbelievable in this film. She plays a sweet, but strong girl and did it with a lot of sensibility. Her chemistry with Bradford Dillman is great and she is more beautiful than ever. The movie by itself was not my favourite Dolores Hart’s film, but I must admit they were moments in it I’ll shall never forget. Of course, I told you about this unforgettable moment when Clare becomes a nun. Also, one of my favourite parts of the film is when Francis builds a new church and he collects rocks all around the town.

Film 5: The Inspector, A.K.A Lisa (Phillip Dunne, 1962)

Role: Lisa Held


Dolores Hart finally had a really big part in this film and, I must say, this was, for sure, one of her best performances. I think she should have been nominated for an Oscar! The film takes place in Holland in 1946. Lisa Held (Dolores Hart) is a survivor of the Auschwitz concentration camp. She is followed by an ex-nazi who had promised to take her to Palestine where she wants to go. However, the ex-Nazi is no one else than a white slaver who has the horrible plan to send her to South America. Fortunately, Peter Jungian (Stephen Boyd), an inspector investigates on the situation. After the ex-Nazi’s accidental death, Peter makes arrangements to take Lisa to Palestine. One of Lisa’s dreams is to find the tank with a star of David on it. She saw it during her escape from the concentration camp. Dolores Hart is really heartbreaking in this film. They are moments in the film where she (well, Lisa) panics and cries all the tears of her body because she is put in a situation that reminds her the concentration camp. Those moments are sad, but really poignant. Dolores Hart played the part of Lisa with so much strength and sincerity. We saw she took her job seriously and gave all she got to be great. It worked. Her team work with Stephen Boyd was also great. I was happy to see a film with him in a leading role. I had seen him in Ben Hur before. He was a great actor. What kind of amazed me in this film about Dolores Hart is the fact that she looked younger that she was in Loving You. Maybe that’s because of her haircut and the way she’s dressed up. Anyway, I’ll conclude this paragraph by telling you that, if you want to see a really great Dolores Hart’s performance, watch this film.

Film 6: Come Fly with Me (Henry Levin, 1963). 

Role: Donna Stuart


“Come Fly with Me, let’s fly let’s fly away…” everybody knows this song popularized by Frank Sinatra. Come Fly with Me was Dolores Hart’s last film before she became a nun. I must say, among all her films (well, the ones I watched), this is the one I liked the most. It was a delightful comedy, very “early 60’s” and retro (the lovely costumes!). Just the way I like it. Also, I have always liked movies where planes are the main subject (Airport, The Aviator, Three Guys Names Mike, The Spirit of St. Louis, etc.). Donna Stuart (Dolores Hart), Carol Brewster (Pamela Tiffin) and Hilda “Bergie” Bergstrom (Lois Nettleton) are three air hostesses working for Polar Atlantic Airways (a fictional airline). From New-York to Paris, from Paris to Vienna, they’ll all meet love. Donna will meet Franz Von Elzingen (Karlheinz Böhm), a fake baron who is in reality a diamond smuggler. Carol will fall in love with Ray Winsley (Hugh O’Brien), the plane’s First Officer. Unfortunately, this one has an affair with another woman at the same time. Hilda will meet Walter Lucas (Karl Malden), a Texan millionaire widower. He’ll fall in love with her, but that would not be that much easy for the two of them. I loved the cast of this film. It was the occasion for me to discover new actors such as Lois Nettleton, Hugh O’Brien and Pamela Tiffin. This one really had the funniest part of the film. Of course, I already knew Dolores Hart and Karl Malden. As always, this actor did a fantastic job. But let’s focus on Dolores Hart, because this article is dedicated to her. When you watch The Inspector and then Come Fly with me, you can see she was a very versatile actress. The part of Donna Stuart was really different from her parts in her first films: the sweet and innocent girl of Loving You, King Creole and Lonelyhearts. Donna Stuart is a more “serious”, “mature”  and “casual” woman. What I liked about this film, is the fact that the three hostesses are all unique because they have all their own personality: Donna is the leader, Carol is the funny one (not always on purpose!) and Hilda is the sensitive one. Yes, Dolores Hart really became a leader in this film. While watching it, I could see she knew what she was doing. She was acting like a fish is swimming. She was just so cool.

Film 7: Sail a Crooked Ship ( Irving Brecher, 1961)

Role: Elinor Harrison


My marathon was supposed to finish with Come Fly with Me, but, happily, I found a link to watch Sail a Crooked Ship. This is a really nice “Friday Night Comedy” starring Dolores Hart, Robert Wagner, Carolyn Jones, Ernie Kovacs, Frankie Avalon and Frank Gorshin. Before I watched this film, I only knew the first three actors of this list. So this was an occasion for me to discover three other very talented actors. All those actors play characters with each an unique personality and that’s the greatest thing about this film. The story is simple. Gilbert Barrow (Robert Wagner) and Elinor Harrison (Dolores Hart), an engaged couple, find themselves on a boat full of crooks who plan to rob a bank in Boston. The crooks capture Elinor and Gilbert because they don’t want to leave any witnesses behind. When a hurricane will show up, Gilbert, Elinor, the captain Bugsy G. Fogelmeyer (Ernie Kovacs), his girlfriend Virginia (Carolyn Jones) and his nephew Rodney (Frankiie Avalon) will have to work as a team. However, the real danger on this boat is not the hurricane, but George M. Wilson (Frank Gorshin), the brainy sociopath of the crew. If you are in for a good laugh, I’ll suggest you to watch Sail a Crooked Ship. It’s a simple, but nice film. Dolores Hart is pretty hilarious in it and makes a fine ladies duet with Carolyn Jones and a lovely couple with Robert Wagner. One more time, this film shows us perfectly Dolores Hart’s versatility, which seemed to be her biggest acting talent, in my opinion. In Sail a Crooked Ship, she is funny, she is angry, she is in love, etc. One of the most memorable lines of this film is when she says, several times, to Gilbert: “No Gilbert.” with a very patient voice like a teacher or a parent saying no to a little child. What I also liked about the film was the narration. It also made me think more of a TV movie or a television show, probably because of this narration and the way it was edited. It was also a short film, so there wasn’t any lengths

What I liked the most about this marathon was, of course, to discover a new actress: Dolores Hart. I heard a lot about her before, but haven’t seen her films. I also loved to see that she was a talented actress and a lovely woman. Well, she’s still a lovely woman! What amazed me the most during this film marathon was to see her talent growing and growing wonderfully from films to films. I’m really disappointed I didn’t have the chance to watch Where the Boys Are. This is, apparently, one of her best films and it looks like a great one. I couldn’t find any links on the web to watch it. Well, I hope I’ll get the chance to see it one day! If you haven’t seen any Dolores Hart’s films yet, well you should. You will discover a unique actress.

A new marathon will start soon!